Financial Times
The Art Newspaper
Al Jazeera (English)
The writers retelling Libya’s history through a feminist lens
Richard Koh Fine Arts (Singapore, Kuala Lumpur, Bangkok)
Sergio Fermariello: Hitting God’s Head with a Hammer Until It Breaks
Faith in Mystery: Yeoh Choo Kuan’s Streaming Mountain
Eiffel Chong: I Dim The Sun So That Dusk Arrives Earlier
ArtAsiaPacific (Hong Kong)
Internazionale (Italy)
Il Sole 24Ore (Italy)
Southeast Asia Globe (Cambodia)
Hadara (Dubai)
Plural Art Mag (Singapore)
The New Arab (UK)
Middle East Monitor (UK)
Tunis graffiti ignites social debate
Clandestine Integration connects the Mediterranean
Drawing her own story from Douz to Rome
Revealing the invisible: interview with Tunisian-Russian artist Nadia Kaabi-Linke
Art is the highest form of hope: Something Else Off Biennale Cairo
New documentary puts Palestinian hip-hop in the spotlight
A place is where your memories are: An interview with artist Rafat Asad
‘A Hair Tie’: The dark, haunting work of Syrian artist Randa Maddah
The Palestinian Museum of Natural History and Humankind: interview with artist Khalil Rabah
Playing with sand in a sandstorm: Palestinians on Banksy’s Walled Off Hotel
Palestine’s first female-run cookery school is ‘a labour of love’
Creating a trans-Mediterranean culture through art
Intimacy in condensed spaces: interview with Palestinian artist Rana Samara
Arts festival challenges Italy’s policies on migration
The life and work of Palestinian Islamo-Pop artist Laila Shawa
Non-aggressive socio-political art at the 2019 Sharjah Biennial
While Europe looks at Moroccan art, Moroccan art looks at Africa
Artists get political at the 2019 Venice Biennale
New directions for the Palestinian Museum – Interview with director Dr Adila Laïdi Hanieh
Igniting Casablanca’s art scene: interview with Yasmine Laraqui
Libya. Back Home uses theatre to tackle collective memory
Inaugural Rabat Biennale show rewrites the rules of the contemporary art game
Defusing violence through humour is one aspect of artist Massinissa Selmani
The past, present and future of Ethiopia by artist Aïda Muluneh
Palestine’s recent history through political landscape posters
‘The era of essence, imagination and hard work’: interview with Palestinian artist Steve Sabella
Interview with Lebanese artist Zena El-Khalil
Middle East Eye (UK)
The comic artist who fled Syria and found himself – interview with Hamid Sulaiman
Libya through Italian eyes: Colonialism, fascism and hidden history
Larry’s List
Qantara (Germany)
Carlos Spottorno and Guillermo Abril – “The Crack”: Europe’s identity crisis
Interview with Indonesian author and feminist Feby Indirani
Interview with Malaysian artist Nadiah Bamadhaj: Freeing the body from conservatism
Of spirituality in a contemporary age: the art show Pneuma in Singapore
Al-Monitor (US)
Artists reflect on age of anxiety in Sharjah
Palestine’s Zawyeh Gallery expands to Dubai
Photographer Nada Harib explores vibrant cultures of Libya
Beirut artists interpret experience of nonconformance in Middle East
Photographer captures surrealist post-explosion Beirut at Dubai art show
Palestinian photojournalist turned artist inspires female students: interview with RulaHalawani
Morocco’s women martial artists defy cultural stereotypes
‘Punk Orientalism’ looks at Russia’s complex relationship with Arab world through art
Artist Adam HajYahia explores desire, sexual deviance in Palestine
Saudi Arabia sets art ambitions with Noor Riyadh Festival
CoBo (Hong Kong)
Eddie Hara: the Punk Uncle of Indonesian Contemporary Art
Aditya Novali: The Poetics of Transformation
Five Emerging Indonesian Artists to Watch
Are Collectors Doing the Job of the Government in Indonesia?
Every Image Is Questionable: Fendry Ekel
Sri Astari Rasjid: Bringing Out the Warrior Within Us
Ivan Sagita, the spirit of Jogja Surrealism
Asia at the Forefront of Venice Architecture Biennale
Farhan Siki – Stencils on the Strongbox
Five Indonesian artists that help us rethink nature
Erling Kagge – The “Poor” Collector Who Knows How to Buy Great Art
Three Indonesian Artists Between National History and Personal Memories
Four Singaporean Artists That Help Us Rethink Nature
Arahmaiani: The Superheroine of Indonesian Contemporary Art, from Criticism to Activism
Eddy Susanto’s new work at Art Bazaar Jakarta and the Singapore Biennale
Spotlight on Indonesian Painters: Murni’s Unsettling Imaginary
Taipei Biennial 2016: Interview with Guest Curator Corinne Diserens
Indo Pop Painting: Is It All Just About The Market?
Being a Collector as a Lifestyle Choice: Interview with Georgina Adam
Video as Simulation of Reality: Interview with New Media Pioneer Krisna Murti
What Censorship in Indonesia Is Really About? Interview with Ari Bayuaji
Jeremy Sharma: Artists As The Arbiter of Knowledge in The Information Era
Why Having Less International Galleries at Art Stage Singapore 2017 was Actually a Good Thing
Jim Allen Abel: Motorcycle Diaries and Photography in Indonesia
Fyerool Darma: Destructing and Reconstructing Regional History
Indonesian Collector Tom Tandio: Nongkrong with Artists as the Key to Collecting
Interview with Emi Eu, Director of STPI Singapore
Sinta Tantra – Zooming from Micro to Macro
A Quiet Presence: Southeast Asian Pavilions at Venice Biennale
Language Subverting Violence: Lani Maestro at Venice Biennale 2017
The Importance of Craft: Sopheap Pich at Venice Biennale
SUPER/NATURAL: Possibilities for Singaporean Artists in Indonesia
The Many Shapes of Art bars and Restaurant
Heroines Behind Galleries: Audrey Yeo
5 Singaporean artists working with the theme of Bureaucracy
Ho Tzu Nyen: Representing the global collective imaginary
Vipoo Srivilasa: The Cycle of Ceramics
Gerald Leow – Sacred in the Profane and Profanity in the Sacred
Focus on Cambodian Photographers: Interview with Kim Hak
Everything You Ever Wanted To Know”, the Teng Collection at Art Stage 2018
The Eye-Opener, Interview with Malaysian artist Umibaizurah Mahir Ismail
Vandy Rattana － Can Time Cure All the Atrocities?
Heroines Behind Galleries (IX): Stephanie Fong of FOST Gallery
DIASPORA Exit, Exile, Exodus at MAIIAM
Hou Hanru: Exploring a Utopian Dimension of Life Through Art
Srey Bandol: Grooming the next generation of Cambodian artists
Kanitha Tith: Following Your Instinct to Find Freedom
Sopheap Pich’s Reflections on the Cambodian Art System
5 Southeast Asian Artists Modelling the Wise Woman Archetype
Svay Sareth: Creating Experience by Making Things
Sophal Neak: Performative Photography
Learning to Take Criticism: Artist Khiang Hei and the Cambodian Art Scene
Tawan Wattuya: Exposé of the Human Condition
Vasan Sitthiket: I Am the One with the People
Natee Utarit: Untitled poems of Théodore Rousseau
5 Thai Artists that Connect Us to Spirituality
Engaging Phnom Penh’s Community: An Interview with Vuth Lyno
Java Arts’ founder Dana Langlois: Making Soup
5 Thai Artists Making Socio-Political Works
Leang Seckon: The Buffalo Boy Who Became King
Dinh Q. Lê’s Pure Land: Beauty in Everything
Of the Spirit: The Work of Kamin Lertchaiprasert
Godalisation: Building an Art Collection in Singapore
Manit Sriwanichpoom: Capturing the Unspoken
Kawita Vatanajyankur: Awareness of Desire
The Spirit of Chiang Mai: Torlarp Larpjaroensook
Southeast Asian Pavilions at the 2019 Venice Biennale
The Artist’s Trajectory: An Interview with Piyarat Piyapongwiwat
Pattana Chuenmana – The belief in the invisible
Ruangsak Anuwatwimon: The Truth of Perspective
Jakkai Siributr: The Ferocity and Healing of the Needle
Away From the City: 4 Emerging Artists from Battambang
Art Jakarta 2019: Artwork Highlights
Interview with Noraset Vaisayakul
Tending One’s Own Garden: Interview with Maline Yim
A Skewed Sense of Reality: Interview with Tawatchai Puntusawasdi
Trash or abstraction? Handiwirman Saputra makes beauty out of debris
Rethinking Gender and the Body: In Conversation With Su Hui-Yu
Southeast Asian Artists Reframing Ancient Mythologies
Weaving Memory: A Conversation with Dinh Q. Lê
Mongolian Artist Munkhtsetseg Jalkhaajav’s Visceral Art At The Venice Biennale
The Markaz Review (US-France)
Art Curators as Public Intellectuals
My Love for Derna: Interview with Libyan Writer Mahbuba Khalifa
Demolition and Recreation in Benghazi: Interview with Sarri Elfaitouri
The Body Intimacy and Technology in The Middle East
Intimacy & Our Inner Sanctuary—an Interview with Rana Samara
Artists Exploring Libya’s History, Cultural Resilience and Rebirth
Art Republik (Singapore)
Mind Over Matter: interview with Lai Dieu Ha
Field of Dreams: Cambodian art spaces
Epic Arts in Cambodia empowers disabled individuals through art
The Personal Act of Collecting Art in Cambodia
Rebels at Heart: the Cambodian Supergroup Stiev Selapak
Vann Nath and his legacy Cambodian contemporary artists
ASEF Culture360 (Singapore)
Making Naples a home for Indonesian art and literature
ADD Editore Asia series | Interview with Ilaria Benini
Cultural and natural environments in Indonesia | Interview with Edwin Jurriëns
Feminism and women artists in Indonesian Contemporary Art
Independent Curators Bridging Asia and Europe
Marrying art and literature in Singapore | The case of Delere Press
Kon Len Khnhom: a shared living room for the arts in Phnom Penh
Kartika Affandi: 9 Ways of Seeing | Interview with videomaker Christopher Basile
Contemporary art museums in Rome | The system and the anti-system
A story of redemption | Matera European Capital of Culture 2019
Manifesta 12: looking at the world through the city of Palermo, Italy
Asiatica Film Festival in Rome: Interview with director Italo Spinelli
Permaculture in Chiang Mai – In conversation with Christian Shearer
Thanom Chapakdee: Decentralising Thai Contemporary Art
Women and the Earth: Interview with Pinaree Sanpitak
Arts Hub (Australia, UK)
Art Fair gives space to the anti-market
Unconventional spaces democratising art
Can crowd-funding save journalism?
The winners and losers marketplace
The best of the Venice Biennale 2015
Australia’s biggest year at Venice
Negotiating the sharing economy
The slow truth behind overnight success
Four ways arts workers can win in the new economy
Women struggle to break into Asia
New Singapore National Gallery repositions SE Asian art
Singapore career opportunities for Australian arts professionals
Why Singapore is the new gateway for the Southeast Asian art scene
Il Manifesto (ITA)
Tra cavallo e varano, il bestiario fantastico sospeso tra est e ovest
Trouble Magazine (Australia)
Bindi Cole, Faith In God & Prison
Ashley Bickerton: Artists are dyed poodles dancing through fiery hoops for the one percent
Heri Dono: Making Fun of The King, The Gods and The People
Mella Jaarsma: Give Me Shelter
Suburban Spendour – an interview with Graham Miller
How to define nothing – Twoone
True North and Deep Blue – an interview with Emily Ferretti
Alasdair McLuckie – Modernism on Gertrude
Escape (Malta)
Revolutionising puppet theatre – Interview with Coppelia Theater
The perfect caption for your selfie – review of Fotografia Festival
A door into our liquid modernity – Faig Ahmed at MACRO
On the banks of the Tiber – William Kentridge’s Triumph and Laments murales
The New Home: 2016 Venice Architecture Biennale
Art goes green, interview with the Green Root Lab
How to manage pluralism : Interview with Elizabeth Pisani
The Sunday Times (Malta)
Tucked in by Marina Abramovich, report on the 512 Hours performance at the Serpentine Gallery
BMX bandits at contemporary art fair – report on Shaun Gladwell’s performance at Artissima
An emotional roller-coaster – interview with artist Eddie Peake
Regeneration through street art – Memorie Urbane Festival
Spirtu pront in St Albans – Interview with Sonia Leber and David Chesworth
We don’t throw anything away – review of Piero Golia’s exhibition at Gagosian, Rome
On disturbing the comfortable – Hermann Nitsch at Cantieri culturali alla Zisa, Palermo, Sicily
Global Comment (USA)
Is contemporary art effective in spreading awareness of climate change?
An insight into South-Italian culture through the art of Angelo Formica
Why must the East continue to be objectified? An Interview with Indonesian artist Eddy Susanto
Aboriginal Royalty at the Venice Biennale: Interview with artist Reko Rennie
Stitching Together West and East: An Interview With Iranian Artist Koushna Navabi
How A New Generation of Graphic Novels Are Portraying Migration
Elliot Ackerman: Intellectuals at war and the ethical soldier
Contemporary art according to Fondazione Prada, Milan
It’s not just a cartoon: why satire should come of age
Traces of Italian Colonialism in the work of Dawit L. Petros
How a stuntwoman created a badass community during the pandemic
Set yourself up for a 2022 full of art
My three-hour-long busking career
Wanderlust (Uk)
The best art galleries to visit in Jeddah
Best ways to experience art in Riyadh
D_Railed (USA)
Amanda Heng, the Braided Spirit of Singaporean Contemporary Art
Richard Streitmatter-Tran: to Work and Live in Length and Width and Height and Depth
Regional Is the Way: Art Stage Singapore 2017
A New Book On Australian Contemporary Art Foregrounds Questions About Diversity
Art Monthly Australia
GaoBrothers: The Utopia of Hugging for 20 Minutes
ART/JOG12: ‘Montmartre of the east’
An artist in a waitress’s body, Australian twenty-somethings pursuing an artistic career
Raven Contemporary (Australia)
Roman Holiday: RAVEN’s guide to contemporary art in Rome
Art and Science in Venice: Interview with Sam Leach
Australia Unlimited
Melbourne art scene inspires Italian spaces
ENECAA (Singapore)
Timur Akhmedov: art that cannot yield
Alexander Barkovsky: restoring hope and beauty
Marwa Benhalim, la storia del mondo in un pugno di couscous
Fresh Cup (USA)
The Coffee Cultures of Naples – Coexisting traditional and international coffee cultures
I-Magazine Bali (Indonesia)
The Bulè are coming: Bali’s expat artists exhibiting in Naples, Italy
NY Arts (USA)
Mircea Cantor, The World Is Changing
Onya Magazine (Australia)
No One Ever Leaves For Good: Australian Artists Making It Internationally
Posi+tive Magazine (Germany)
The Human Factor – Museo Pietro Canonica in Villa Borghese, Rome
My articles on Art a Part of Culture (Italy)
Il Re è uno del Popolo. Intervista agli autori della graphic novel “Il Re di Bangkok”
My articles on Artribune (Italy)
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