The exhibition “Hijrah: In the Footsteps of the Prophet” and the documentary “In the Footsteps of the Beloved” are embracing historical and scientific evidence, signalling a change in Saudi Arabia. I wrote about it for Middle East Monitor.
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I wrote once again on the Myanmar art scene for the webmagazine Southeastasia Globe. It’s my first collaboration with them, and it was great to put together a piece which included a number of interviews to artists and other figures in the art world such as Chaw Ei Thein, Louis Ho, Moe Satt, Bart Was Not Here, Nathalie Johnston, Ilaria Benini and Richie Nath.
Most of them had to flee the country, but they were able gave me a picture of the developments of the art scene over the last few years, and how these were abruptly stopped by the recent military coup.
Finally my piece on the Venice Biennale 2022 has been published by Plural Art Mag. While the piece was written in the aftermath of the opening, it came out just now, given the webmagazine’s editorial schedule.
The article is a report, as well as an overview, and it is focused on the Southeast Asian presence, which this year was much smaller compared to previous years.
A couple of months ago I have interviewed for Global Comment two of my favourite graphic novel authors, the creative couple Teresa Radice and Stefano Turconi. The interview has just been published; we delved into the creative process behind their most interesting work.
Here is the link to the interview
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The Australian webmagazine Artshub has just published my new piece titled “Why Singapore is the new gateway for the Southeast Asian art scene”
I had a steady collaboration with this amazing platform in the past, which started when I was actually living in Melbourne and carried on throughout the different changes of base.
It was interesting to connect my three years of research on the Singapore contemporary art scene with what I could appreciate last month during the Singapore Art Week.
Of course, my piece is very positive because it’s no mystery that I love Singapore and I have a lot of faith in the way things are developing there.
Here is the link to the article
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At the beginning of 2019 I realized one of my yearly reportages on contemporary art in Thailand. Among the most interesting artists I have interviewed is Tawatchai Puntusawasdi; our conversation has just been published on CoBo.
Here is the link to the interview
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CoBo has just published my interview with Maline Yim, which I realized some time ago during my Cambodia reportage, adding some reflections based on “The Shadow of Change,” her solo exhibition earlier this year at Richard Koh Fine Art in Singapore.
“Yim lives in a house surrounded by a garden, which the artist personally tends to. The flower and plants are protected from the outside by a wall, representing a boundary that likewise allows safety for a life shaped by her gift for art-making. Here, Yim can be the nurturer—of her plants, her family and her art practice. “
Here is the link to the interview
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At the beginning of the year I have realized a reportage on Thai contemporary art. The webmagazine CoBo Social has just published my interview with artist Noraset Vaisayakul.
Here is the link to the interview
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The contemporary art scene in Cambodia is still very young and in the making. Distinctive stylistic trends and artistic fervour are emerging in the three major cities, creating elements for a dialogue to come.
For those looking for true solace as well as engaging conversations with artists, Battambang is definitely the place to go. Here time slows down. Artistic practice largely takes a meditative slant, and are more often than not, based on considerably traditional mediums.
I have look at the four more interesting emerging artists hailing from this Cambodian city for CoBo.
Here is the link to the article
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The webmagazine Cobo has just published my interview with Thai artist Jakkai Siributr. This particular conversation has really provided clarity to shed new light on the whole month-long reportage I did in Thailand at the beginning of the year.
I have found this happens every reportage. There is always one conversation that reveals a particular key to read the reality your are exploring, or throws in a few challenges and reflections that stay with me long after the field research is finished.
Often that key comes from a figure – like Jakkai in this case – who has extensive knowledge of both Eastern and Western contemporary art practices, and is able to bridge the two through the narrative of his life.
There are few others interview to go to conclude the material I have collected with this reportage in Thailand, and can’t wait to share it more with you. But for the time being…
Here is the link to the interview
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CoBo has just published one of my favourite interview from my reportage in Thailand, the one to Bangkok-based artist Ruangsak Anuwatwimon.
Ruangsak feels compelled to fight for environmental awareness. His poetic installations take on this cause, revealing the brutality of humans towards the Earth, buried under a beautiful surface.
Here is the link to the interview
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Another article from my reportage in Thailand. This is an interview with artist and photographer Pattana Chuenmana, and has been just published by CoBo.
Here is the link to the interview
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