Naima Morelli

Archive
Indonesia
Andonowati at home with a work by Tisna Sanjaya in the background. Courtesy of Andonowati.

It was an honour and a privilege to start my collaboration with Larry’s List with this interview with one of the people I admire and respect the most in the art world: Andonowati.

She is not only a extremely savvy collector with a heightened sensitivity for art, but also an accomplished mathematician, a collector, a gallerist, a business person, an art initiator, and entrepreneur and also an incredibly compassionate and kind human.

I first met her through my research on Bandung-based artist Eddy Susanto and learned about her gallery and foundation Lawangwangi Creative Space in Bandung. In 2010, Andonowati launched the Bandung Contemporary Art Award (BaCAA) — one of the most prestigious art awards in Southeast Asia, which I took part of as a judge in 2019.

Here is the link to the interview

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It’s always a privilege to be able to interview cultural figures I have been admiring for a long time. Since my first inception to Singapore, I wowed at the green architecture of the firm WOHA.

Thanks to a virtual show at Gajah Gallery, I have found out WOHA’s founder Richard Hassell is also an art lover and collector. He curated the show Complex Humour highlighting works by I GAK Murniasih and Yunizar.

Both artists present humourous works overlaid with much more difficult themes, as well as tribal elements.

Here is the link to the interview

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From dirty riverbanks to the shores of Venice, Yogyakarta-based artist Handiwirman Saputra tells us the story of our objects.

My interview to Handiwirman has just been published on CoBo Social.

Here is the link to the interview

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For my second collaboration with the magazine Qantara I have interviewed Indonesian writer Feby indirani. I loved her book “Not Virgin Mary”, which has been recently translated in Italian by Prof. Antonia Soriente and published by Add Editore. The book provided a light-hearted and almost zen perspective on Islam in Indonesia.

I met Feby in Rome during her European book tour. I have found out she is not only an excellent writer but also a lovely person; we had a wonderful conversation.

Here is the link to the interview

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SEAPavVenice2019

Hong-Kong based website and platform for collectors CoBo Social has just published my review of the Southeast Asian Pavilions at the 2019 Venice Biennale. I looked at the different national propositions with interest and a bit of a critical eye as well.

Here is the link to the review

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VeniceBiennale2019
The 2019 Venice Biennale has asked artists to step into the socio-political realm, in the middle of far-right Matteo Salvini’s Italy. And they have done it, dismantling Orientalism and getting the Mediterranean closer together in the process.

My first article on this 2019 Venice Biennale has just been published by Middle East Monitor.

Here is the link to the article

 

 

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KartikaAffandi

Culture360, the webmagazine of the Asia-Europe foundation, has published my interview with videomaker Christopher Basile, who has recently realized a documentary and the art of Kartika Affandi called “9 Ways of Seeing”.

The film tells the story of this visionary artist, daughter of Indonesia‘s most celebrated painter, and a groundbreaking personality and painter in her own right.

Here is the link to the interview

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curatorsasiaeurope

Culture360 – the webmagazine of the Asia-Europe Foundation – has just published my piece on independent curators bridging Asia and Europe (and also other parts of the world) through contemporary art.

I have met these three incredible women in several occasions; they are doing a very important and necessary work, filling gaps in understanding across cultures. Their practice and professional rigour inspires me greatly.

Here is the link to the piece

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artbars

Art bars and restaurants come in all shapes and sizes; you can go from contemplating art integrated with the café design, to walking into a conceptual artwork. For CoBo Social I looked at some of the most interesting bars and restaurant around the world founded and operated by artists.

Here’s the link to the piece

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feminismindonesia

My fourth piece for Culture360 – the webmagazine of the Asia-Europe Foundation – has just been published. It’s always a joy to see my words out there, also because I get to write about two of my favourite subjects: feminism and Indonesian contemporary art.

For this piece called “Feminism and women artists in Indonesian Contemporary Art” I have interviewed the amazing researcher Wulan Dirgantoro, art historian Farah Wardani and artist Samantha Tio (Mintio).

Here is the link to the piece

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supernatural2

For the Hong Kong webmagazine and collectors’ platform CoBo I usually write about Indonesian and Singaporean artists, and the dynamics of their art systems. It goes without saying that the two art environments are highly connected. Sometimes an event or a show happens which remixes the way the two art systems interact, and that’s precisely what happened with the Super/Natural show in Yogyakarta, by Gajah Gallery.

In this piece I look at this pioneering operation, talking with the gallerist Jasdeep Sandhu and the two curators, trying to ponder what this show meant, and if it can have a legacy for the evolution of both the Singaporean and the Indonesian art systems.

Here’s the link to the piece

 

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seavenicebiennale2017

Here is my piece for CoBo on the Southeast Asian Pavilions at the Venice Biennale. This piece wasn’t easy to write and I have been quite critical – something I don’t usually like to be. But this Biennale really called for criticism, the way I see it.

Here’s the link to the piece

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