Middle East Monitor has just published an opinion piece of mine about a new biennale coming up in Saudi Arabia, the Ad-Diriyah Contemporary Art Biennale. I question the way and modalities Biennales need to exist in this post-pandemic world.
Here is the link to the article
Read More![Palestinian artist Hazem Harb [Hazem Harb]](https://i2.wp.com/www.middleeastmonitor.com/wp-content/uploads/2021/10/hazem.jpg?resize=1199%2C800&quality=85&strip=all&zoom=1&ssl=1)
“Palestinian artist Hazem Harb doesn’t try to define the idea of Palestine in his work. “For me, Palestine just is,” he tells me. “I’m interested in its history and nationalism, but I don’t dwell on them by making straightforward political art. In my work, I’m trying to represent the hidden narratives of Palestine and leave room for individual memories and personal stories to come through.” “
The webmagazine Middle east Monitor has just published my interview with Palestinian artist Hazem Harb.
Here is the link to the interview
Read More
Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
