Naima Morelli

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Italy

Podcasts have been my constant companions since their inception, so I was thrilled when artist and journalist. Joana Alarcão interviewed for her “Insight of an Eco Artist” podcast.

In the interview I spoke a ton about researching Southeastasian contemporary art, my writing about art in the MENA region and even a little about my graphic novels, so the interview was divided in two parts.

Here is part 1 of the podcast

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“When the day was over, we sat on a bench carved in stone, watching the clouds turn pink and the sea purple. We chatted about everything, from Nietzsche’s Übermensch to that cute waiter trying on me. Being part of Positano’s busking community was paradise, so I figured that in Melbourne it wouldn’t be any different.”

A little story from my personal arsenal, just published by Global Comment. I wish to have the chance to write more stories like this one in the future, alongside the arts writing. It’s really fun!

Here is the link to the piece

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If you have any degree of familiarity with the history of politics and royalty in Burma, you will definitely know June Yadana as the daughter of the princess Ma Lat – the direct descendent of the last King of Burma – who later became the wife of the dictator Ne Win.

What is less known is June’s turbulent life across Europe and Asia, where she traversed the most significant moments at the turn of the twentieth century, always animated by a relentless spirit.

I have written about her for Plural Art Mag.

Here is the link to the piece

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Palestinian artist Hazem Harb [Hazem Harb]

“Palestinian artist Hazem Harb doesn’t try to define the idea of Palestine in his work. “For me, Palestine just is,” he tells me. “I’m interested in its history and nationalism, but I don’t dwell on them by making straightforward political art. In my work, I’m trying to represent the hidden narratives of Palestine and leave room for individual memories and personal stories to come through.” “

The webmagazine Middle east Monitor has just published my interview with Palestinian artist Hazem Harb.

Here is the link to the interview

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Installation view of the Imago Mundi Collection.

My second article for the collector’s webmagazine Larry’s List is an interview to Italian fashion mogul and collector Luciano Benetton.

Dubbed “Imago Mundi”, his collection and world-wide project spans from New Zealand to Burkina Faso, covering 80 countries for a total of over 10,000 artworks.

Here is the link to the interview

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I’m so proud to announce the publication of the new catalog of late painter Anna Salmoni (Naples 1938 – Florence 2019) called “Intimi Estranei”, which features my critical text. The catalog presents for the first time a comprehensive perspective on the haunting and evocative work that this incredible artist realized over a lifetime.

This book is not only to share these paintings with a wider audience but is also an important step in enhancing the complex artistic production and reading it in a new key, given the contemporary context. Laura Albano – photographer and daughter of the artist – did a huge work of cataloging, sorting, archiving, and tracking down the different works owned by Salmoni’s collectors.

Potrebbe essere un'immagine raffigurante il seguente testo "INTIMI MI ESTRANEI n Salmoni Salmoni Anna la pittura di"
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Radice and Turconi

A couple of months ago I have interviewed for Global Comment two of my favourite graphic novel authors, the creative couple Teresa Radice and Stefano Turconi. The interview has just been published; we delved into the creative process behind their most interesting work.

Here is the link to the interview

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My interview with illustrator and comic book artist Andrea Serio has just been published on the Italian webmagazine Art a Part of Culture.

I have been admiring this artist for many years, and is no exaggeration to say that his art influenced my way of looking at the landscape.

Here is the link to the interview

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Three weeks ago, I met with my friend Rod in Naples and we decided to give up our egos.
He was coming from Rome by train, I was coming from Sorrento by train also and I was very late, since the boats going across the gulf were cancelled.

That was the first time I saw Rod after the lockdown happened in March. Last time we met, we were conjuring up a show in Venice for a leading Indonesian artist, together with another great Asia-expert curator. We were thrilled, and Rod in particular was juggling the excitement for a new curatorial adventure, with the alertness for the new Covid restriction on his workplace, and finally the realization that he had to work on expressing more his emotions.

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I had the privilege to write the curatorial essay for the catalog of Neapolitan artist Sergio Fermariello’s new show “Warriors” opening tomorrow, 7 February, at Richard Koh Fine Art in Singapore. The piece is titled: “Hitting God’s Head with a Hammer Until It Breaks” – a poignant metaphor courtesy of genius Fermariello himself.

As a side note, when I first started working with the art scene in Southeast Asia, back in 2012, I could only hope more and more ties would create between my native Italy and that part of the world.

It has been incredible to see how these exchanges unfolded, and even more beautiful to see Italian artists experiencing the Southeast Asian art world, that has been so open and kind to me.

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Rome’s favourite contemporary art webmagazine, Art a Part of Culture has just published my interview with the emerging artist Leonardo Crudi. It’s written in Italian – a language I take much more fun and freedom in. So, if you can read, you’ll find it a bit gonzoish.

I greatly enjoyed the works of this young street-artist-turned-Russian-avant-garde lover, and thanks to curator Tiziano Tancredi (who curated the show together with Giovanni Argan) I manage to keep in touch with the up-and-coming scene of the city I live in (most of the times)

Here’s the link to the piece

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sum1

These days I’m filled with love for the world.

Summer leaves are lighten up by the sun and look like emeralds. They have this love effect. Happy movement and endorphins have this love effect. So has making new friends. Rediscovering the old ones. By whatever means connection with what’s around me happens, that’s where the gold is. Noticing the beauty all around me.

These days, every time I go “off-track”, I “derail”, there is a sentence that pops always in my mind, sorting things out. The words are: “You think you have many different problems, but you only have one: your disconnection for Love (from Life, from God, from Source, from the Nature of Existence, whatever you want to call it.)

This happens to us when we are in pain, of course. But in pain — especially in pain — there is labour of love to do. We are called to action. And when I remember this words, I have a choice. Knowing that pain is inevitable but suffering is optional, I can either stay in the self-made hell, in the suffering — whether psychological or physical — or work towards mending the wounds.

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