Naima Morelli

November, 2021 Monthly archive
In the show “I am Libya”, painter Shefa Salem presents outstanding canvases, demonstrating that the public is eager to learn about the ancient history of Libya

What does it mean to be Libyan? How to reconstruct a sense of belonging for the country and its people, starting from the deepest roots of Libyan culture, while preserving diversity?

These are the questions that artist, Shefa Salem, is grappling with for her first solo show I am Libya, which took place a few weeks ago in the Barah Arts and Culture Centre in Benghazi and will travel to Tripoli’s old city at the beginning of December.

I have interviewed the artist for Middle East Monitor.

Here is the link to the interview

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The Singaporean art magazine Plural has just published my latest piece called “Is there a silver lining to the lack of tourism for the Balinese art scene?”

Here I’m interviewing the directors of three different art spaces, Cush Cush Gallery, Kayu, Ketemu and V-Room, to garner their experience with the pandemic shifts in the art scene, and how this is affecting artists and art spaces alike.

Here is the link to the article

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My fifth piece for Middle East Eye is about a Lebanese comic book which tells forgotten stories of country’s feminist struggle. Called ‘Where to, Marie?’, this comic book distils a century of overlooked feminist battles through the stories of five fictional characters. I have interviewed the authors.

Here is the link to the piece

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