Naima Morelli

Published! Independent Spaces in Rome for Le Quotidien de l’Art

17-04-2026

Essay, Interview, Italy, News, Published, Reportage, Research, Visit

Les espaces indépendants réinventent les marges de la Ville éternelle

Latest article (in French) for Le Quotidien de l’Art about independent spaces in Rome. Sometimes I got to write about my turf as well! online and in the paper edition.

“Lorsqu’on évoque l’art contemporain en Italie, Milan et Turin s’imposent comme des évidences. Rome, elle, est souvent reléguée au second plan et perçue comme périphérique. Pourtant, loin des projecteurs institutionnels et de la hype, la capitale italienne cultive une vitalité singulière, une énergie nourrie par des liens humains forts, des solidarités de terrain et un rapport avec le territoire.”

Here is the link to the article

Published! Interview with Yasmine Berrada for Observer

By: Naima Morelli

03-04-2026

English, Interview, North Africa, North Africa, Published, Reportage, Research

A studio portrait shows a woman with long dark hair wearing a sleeveless denim top, sitting with her arms crossed and looking directly at the camera.

Loft Gallery director has spent nearly two decades building one of the country’s most important contemporary art spaces, while quietly assembling a collection guided entirely by instinct and love.

I have interviewed her for Observer.

Here is the link to the piece

Published! Interview with Mariem Abutaleb for Markaz Review

By: Naima Morelli

06-03-2026

English, Interview, Middle East, North Africa, Published

In the work of the young Egyptian artist Mariem Abutaleb , the Arabic language and alphabet become a symphony of signs that attempts to remove barriers. “When writing transcends readability, it’s meant to be felt,” says the artist. Her work is a visual demonstration of this idea.

From afar, her work looks as familiar as calligraphy, it’s only by coming close that one realizes she’s not referencing a specific language. And it’s precisely in this fluid approach that her artistic practice lies.

I have interviewed the artist for The Markaz Review.

Here is the link to the interview

Published! Review of The Only Way Out Is Through for ArtAsiaPacific

By: Naima Morelli

04-03-2026

Uncategorized

Dubai: The Only Way Out Is Through: The Twentieth Line

For anyone who has spent time at Alserkal Avenue, The Third Line needs little introduction. Since opening in 2005, at a moment when Dubai’s cultural infrastructure was still tentative and often viewed with skepticism, the gallery has become one of the most consistent presences in the city’s art ecology.

I saw the show and wrote a review for ArtAsiaPacific

Here is the link to the piece

Published! 421 Arts Campus for ArtAsiaPacific

By: Naima Morelli

04-03-2026

English, Essay, Interview, Middle East, News, Published, Reportage, Research, Review, Visit

The Gulf’s Anti-Institution: 421 Arts Campus

421 contradicts several preconceived ideas the West might hold about the UAE art scene, often associated with large institutions projecting national ambition outward, from the Louvre Abu Dhabi and the forthcoming Guggenheim to the Sharjah Biennial. Taking another approach, 421 operates on a smaller scale, with slower timing and direct relationships with artists.

I visited 421 Art Campus and reported for ArtAsiaPacific.

Here is the link to the piece

Published! 24 Hours in Oslo on IFDM

By: Naima Morelli

19-02-2026

Collection, Europe, Italiano, Published, Research, Visit

Astrup Fearnley Museum of Modern Art, Oslo, Norway - Photo © Kiev.Victor

I have written a city guide of Oslo for the magazine IFDM: from the traditional houses of Grünerløkka to avant-garde architecture and contemporary design, here’s my 24-hour itinerary to uncover the many faces of a constantly evolving capital.

Here’s the link to the article (in Italian)

Published! 1-54 Marrakech on Observer

By: Naima Morelli

12-02-2026

News, North Africa, Published, Reportage, Research, Visit

A visitor wearing a headscarf stands in a gallery space with bright blue walls, looking at two large abstract paintings framed in light wood, one composed of organic pastel shapes and the other of interlocking geometric forms.

The 2026 edition of the 1-54 Contemporary African Art Fair Marrakech is smaller than in previous years. The number of galleries has been reduced, the fair occupies a tighter footprint and the broader media conversation has largely shifted further east.

The city itself, however, tells a different story. This year, the boutique fair operated in dialogue with exhibitions spread across the city, keeping visitors constantly engaged—if not by the energy of Marrakech itself, then by a program that extends far beyond the walls of La Mamounia, the state-of-the-art hotel where the fair takes place.

I reported from the fair for Observer.

Here is the link to the piece

Published! S.E.A. Focus Gets a Boost from Art SG on Observer

By: Naima Morelli

27-01-2026

Published, Reportage, Research, Singapore, Singapore Series

A selection of paintings on temporary walls in an art fair in a warehouse like space

My piece about the Singapore art week was published by Observer. The consolidation highlights the tension between scale and specificity of the fairs Art SG and SEA Focus, prompting questions about how regional narratives can retain clarity and resonance in an increasingly globalized marketplace.

Here is the link to the article

Published! Interview with Malina Suleiman for the New Arab

By: Naima Morelli

23-01-2026

Middle East, News, Published

First, you smell it. Then you see it. The encounter with Afghan artist Malina Suliman’s work at Riga’s annual contemporary art exhibition, Survival Kit 16, is first and foremost olfactory — therefore primal. It enters the body before it enters the intellect.

Malina, who began her practice with street murals and clandestine painting, now constructs environments that behave like living organisms: smelling, staining, ageing, and transforming.

I have interview the artist for The New Arab

Here is the link to the interview

Published! Come bypassare l’occidente su il Manifesto

By: Naima Morelli

23-01-2026

Korea, Middle East, Published, Review

The relationship between Korea and the Gulf countries is longer and more complex than it may seem. These ties have shifted from oil and construction to culture, and the exhibition “Proximities” at Sema, the contemporary art museum of Seoul testifies that.

I saw the exhibition and reviewed it (in Italian) for il Manifesto.

Here is the link to the article

Published! Interview with Oyjon Khayrullaeva for Times of Central Asia

By: Naima Morelli

16-01-2026

Central Asia, Interview, Published

Recipes for Broken Hearts: The Bukhara Biennale as Heritage Spectacle and Critical Absence - ARTMargins Online

In recent years, a new generation of Uzbek artists has begun to reshape how culture, history, and identity are visually narrated.

Among them is Oyjon Khayrullaeva, whose practice moves fluidly between photography, digital collage, and large-scale public installations.

I have interviewed the artist for Times of Central Asia.

Here is the link to the interview

Published! Ala Younis at NYU Abu Dhabi for ArtAsiaPacific

By: Naima Morelli

10-01-2026

Uncategorized

Ala Younis’s “Past of a Temporal Universe”

Gigantic rulers and compasses appear throughout Ala Younis’s practice—as literal objects in some works, and as symbolic motifs in others. With these tools, the multimedia artist draws unexpected connections between competing imaginaries.

In her midcareer retrospective “Past of a Temporal Universe,” which traced nearly two decades of her career, little was immediately evident as Younis’s artistic language draws from academia, architecture, and archives. Instead, the show was conceived for slow and attentive engagement.

I have reviewed Ala Younis’ exhibition at the NYU Abu Dhabi Art Gallery for ArtAsiaPacific.

Here is the link to the review

Naima Morelli

Published! Independent Spaces in Rome for Le Quotidien de l’Art

Published! Interview with Yasmine Berrada for Observer

Published! Interview with Mariem Abutaleb for Markaz Review

Published! Review of The Only Way Out Is Through for ArtAsiaPacific

Published! 421 Arts Campus for ArtAsiaPacific

Published! 24 Hours in Oslo on IFDM

Published! 1-54 Marrakech on Observer

Published! S.E.A. Focus Gets a Boost from Art SG on Observer

Published! Interview with Malina Suleiman for the New Arab

Published! Come bypassare l’occidente su il Manifesto

Published! Interview with Oyjon Khayrullaeva for Times of Central Asia

Published! Ala Younis at NYU Abu Dhabi for ArtAsiaPacific

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