Naima Morelli

Archive
North Africa
Mina Abouzahra, ‘Brick Wall tapestry (One and a half Women)’, 2026, Textile Arts, Wool/glass beads.Moroccan weaving and knotting.Made in Taznakht., Rademakers Gallery

While these tapestries were once diminished by academia and the avant-garde as mere “womanly craft,” contemporary artists from the Maghreb region in Northwest Africa are transforming the medium in ways that both honor and update longstanding traditions.

Many grew up around looms and recall their grandmothers’ hands on raw wool, their mothers’ crochet, or the cooperative workshops in their region. They attend to the labor, gestures, and knowledge that lived in the bodies of their women ancestors.

Finally, biennales, fairs, and museums around the world are starting to catch on.

Here are five of the most exciting contemporary artists inspired by Moroccan rugs and North African weaving.

Here is the link to the article

Read More

There is an organic quality to the art scene in Tunis, where art grows out of the bustling, lively, chaotic energy that agitates the city’s streets and animates individuals trying to channel it into an art system.

That’s not an easy feat for a scene that can’t rely on any kind of government master plan, but solely on a handful of people who have set out on a mission to build something durable.

Here is the link to the article

Read More
Mystic Harbour, Aluminium, acier prélaqué, rivets aveugles, Triptyque 100x100x4cm x3, 2026.

Kaïs Dhifi’s sculptural pieces reflect a balance between control and spontaneity, embracing imperfection, chance, and the history embedded in materials. In this interview Dhifi talks about his latest concept, an inverted Mediterranean.

My interview with Kaïs Dhifi is on Markaz Review, as a feature artist for the Mediterreneans issue.

Here is the link to the article

Read More
Clay sculptures of heads are arranged in rows in a gallery.

Morocco’s art scene is diverse and growing, spanning independent spaces, commercial galleries and international fairs. While Marrakech positions itself as a global hub, Casablanca’s scene is closely tied to its history and political reality.

My report from Marrakech and Casa has just been published by the German magazine Qantara.

Here is the link to the article

Read More
A studio portrait shows a woman with long dark hair wearing a sleeveless denim top, sitting with her arms crossed and looking directly at the camera.

Loft Gallery director has spent nearly two decades building one of the country’s most important contemporary art spaces, while quietly assembling a collection guided entirely by instinct and love.

I have interviewed her for Observer.

Here is the link to the piece

Read More

In the work of the young Egyptian artist Mariem Abutaleb , the Arabic language and alphabet become a symphony of signs that attempts to remove barriers. “When writing transcends readability, it’s meant to be felt,” says the artist. Her work is a visual demonstration of this idea.

From afar, her work looks as familiar as calligraphy, it’s only by coming close that one realizes she’s not referencing a specific language. And it’s precisely in this fluid approach that her artistic practice lies.

I have interviewed the artist for The Markaz Review.

Here is the link to the interview

Read More
A visitor wearing a headscarf stands in a gallery space with bright blue walls, looking at two large abstract paintings framed in light wood, one composed of organic pastel shapes and the other of interlocking geometric forms.

The 2026 edition of the 1-54 Contemporary African Art Fair Marrakech is smaller than in previous years. The number of galleries has been reduced, the fair occupies a tighter footprint and the broader media conversation has largely shifted further east.

The city itself, however, tells a different story. This year, the boutique fair operated in dialogue with exhibitions spread across the city, keeping visitors constantly engaged—if not by the energy of Marrakech itself, then by a program that extends far beyond the walls of La Mamounia, the state-of-the-art hotel where the fair takes place.

I reported from the fair for Observer.

Here is the link to the piece

Read More
Ymane Fakhir : « Mon travail commence là où la parole est trop dure »

Born in Casablanca in 1969, Ymane Fakhir is a Franco-Moroccan artist based in Marseille. Trained at the Casablanca School of Fine Arts, the Aix-en-Provence School of Art and the Arles National School of Photography, she combines photography, video and installation to explore memory, rituals and intangible heritage.

I have interviewed the artist for the Hebdo du Quotidien de l’Art.

Here is the link to the interview (in French)

Read More
Black and white photo of three buildings, two are very damaged and one on the right has been restored.

I have written a piece on architecture in Benghazi for the German webmagazine Qantara. As Benghazi’s Italian-era architecture disappears, an exhibition brings together architects and artists rethinking the city’s history — reassessing the colonial past without celebrating it.

Here is the link to the article

Read More
Cleopatra_Paris

There are historical characters that are no longer themselves. They become archetypes and symbols for us to project upon. Cleopatra is one such character.

The Mystery of Cleopatra, a newly opened exhibition at the Institut du Monde Arabe in Paris, investigates this very aspect of the Egyptian queen.

Drawing on historical sources that retrace who Cleopatra was, the exhibition examines what she has been made to represent — and how her story might now be told differently.

I interviewed the exhibition’s curator for The New Arab.

Here is the link to the article

Read More
Homesick_exhibition

From art fairs to vibrant galleries, Marrakech is becoming a top spot for contemporary African art, bringing together local talent and global influences. I wrote this article on the local art scene for The New Arab.

Here is the link to the article

Read More
1-54 Marrakech 2025. [Courtesy Mohamed Lakhdar]

Small but well-curated, the 1/54 art fair in Marrakech aims to be the gateway for African art, while fostering the local Moroccan art scene. I have reported on the event for Middle East Monitor.

Here is the link to the article

Read More