Naima Morelli

Archive
March, 2022 Monthly archive

“Dinh Q. Lê: Photographing the thread of memory” at the musée du quai Branly – Jacques Chirac in Paris marks the first comprehensive introduction of Lê’s weaving work to a European audience.

The show comprises three different bodies of work from the 1990s to present day. The first section, “Light and Belief”, is focused on Vietnam, with reference to the Vietnam War and the experience of the Vietnamese diaspora. “Splendor and Darkness” looks at the genocide carried out by he Khmer Rouge in Cambodia. Lastly, “Adrift in Darkness” utilises images of migrants to reflect on the tragedies of crossing the Mediterranean by boat.

I down with the artist for CoBo Social, to talk about the themes of his new show and his weaving process.

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Farah Saleh in What My Body Can/t Remember (2019) © Chris Scott , courtesy of the artist

Where does a refugee find her homeland? Perhaps in unexpected places; a memory of the country might emerge through the most mundane gestures, or even from a simple interaction with certain objects.

I spoke about this subject with Palestinian dancer Farah Saleh for Middle East Monitor. Farah is preparing a new interactive live performance installation called PAST-inuous for the upcoming Dance International Glasgow.

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Joseph Kai

For my new piece for Al-Monitor I speak with a comic book artist and a photographer/editor about the queer community in Lebanon – and in Beirut specifically – and how it has changed over time.

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