I have a new piece out on the weekend edition of the Financial Times, called “Central Asia in the spotlight at Asia Now fair.”
The article looks at how craft, nomadism and spirituality feature prominently in the region’s artistic practices, and are the focus on the art fair Asia Now, happening next week in Paris.
I wrote a piece for The Markaz Review, wondering whether curators who organize international exhibitions and develop books aren’t in fact public intellectuals. With interviews to @roseissaprojects @punkorientalism @farah.abushullaih
“Contrary to popular belief, it remains true that the specter of the intellectual still haunts the art world. The only thing that has changed is the mask they now hide behind — that of ‘curator.’ The current dislike of the word intellectual runs just as deep as our love for the word “curator.” ‘
I have written the curatorial text for Kazakhstan-born, Singaporean artist Inessa Kalabekova, who has an upcoming show at the East Garden Gallery, of the Fullerton Hotel in Singapore, from March 1 to March 30, 2023.
I have visited the artist’s studio during my last trip to Singapore, and learned about her art practice that fuses collage and painting. Her new show is called “The Nature of Art”, and here the artist looks at nature through the eyes of mythology and poetry.
Read More
It is fascinating when worlds that seem to be light-years away from each other suddenly come together, materializing unexpected commonalities. Take the term “Orientalism,” a concept established by Palestinian-American author Edward Said to describe the West’s commonly contemptuous portrayal of the East. Would you ever associate it with punk counterculture?
Probably not, but that’s what curator, writer and academic Sara Raza did with her new book, titled “Punk Orientalism: The Art of Rebellion.” The book explores the spaces and places associated with the former Soviet Union, focusing on the artists and ideas hailing from Central Asia and the Caucasus, which were long perceived as an extension, or “client” states, of the USSR.
Al-Monitor has just published my interview with Sara Raza
Here is the link to the article
Read More
My essay on the work of Uzbek artist Alexander Barkovsky has just been published by ENECAA, an online platform for researching, collecting and advising about Central Asian art.
I feel the work of Alexandr Barkovskiy is a great visual paradigm for whoever seeks to understand the contemporary cultural scene in Uzbekistan and Central Asia at large. Having recently exhibited at the Moscow Biennale of Contemporary Art and Gallery Andakulovoy in Dubai, this 37-year-old artist encapsulates the key cultural transformations Uzbekistan has been undergoing in recent years.
Here is the link to the article
Read More
Hong-Kong based webmagazine and collector’s platform CoBo has just published my latest article called “Being a collector as a lifestyle choice: Interview with Georgina Adam”.
Writer and journalist Georgina Adam is the author of “Big Bucks: The Explosion of the Art Market in the 21st Century”, an important book which does exactly what is says on the tin: retracing the history and the main players of the art market as we see and experience it today.
We talk about what are the consequences of this market explosion for collectors, the ’80s as the decade in which everything changed and more.
Here is the link to the interview
Read More
Learning about new artists, new countries, different ways of seeing the world and conceiving life is the reason why being an arts writer is such an amazing job. With ENECAA, an online platform for researching, collecting and advising about Central Asian art, I had the chance to explore a bit Uzbekistan through the work of one of its most appreciated artist, Timur Akhmedov.
Here is the link to the article
Read More
Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
