Naima Morelli

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Interview

“Forty-five minutes before the preview opening of the Venice Biennale in April, there was already a long line of sleepy people waiting at the Arsenale. Half were elegantly dressed Arab women.

When Saudi artist Manal AlDowayan showed up a few minutes later with a big red smile, she was greeted by a peal of excited squeals. The line scattered, and the artist was cocooned for a group selfie. “They are Manal’s cousins,” explained an amused man in the line.

Most of these women have never been to the Venice Biennale before. It was AlDowayan’s participation that drew them. This was a chance to root for their heroine while enjoying what in Saudi Arabia has become the chicest of activities: art appreciation.”

My second piece interview with Manal has been published on the Saudi Magazine Hadara.

Here is the link to the interview

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Image part of Randa Mirza parallel Universes series [Randa Mirza]

Over two decades, Mirza has built a body of work that spans different mediums, although photography is her chosen tool for chronicling the ever-shifting landscape of Beirut. Her home city, with its complex post-war realities and the resilience of its people, is at the core of her most recent exhibition “BEIRUTOPIA” at the Rencontre D’Arles festival.

I spoke with the artist in Marseille for Middle East Monitor.

Here is the link to the interview

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Born in Semipalatinsk, Kazakhstan, shortly before the end of the USSR, artist Gulnur Mukazhanovahas been working with textiles since beginning her practice, and influenced by Kazakh traditions, employs felt as a primary material.

Spiritual and emotional, her abstractions are informed by issues concerning identity and the transformation of traditional values of her  native culture in the age of globalization.

I have interviewed the artist for The Times of Central Asia

Here is the link to the interview

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I have been interested in Libyan art, culture, and literature – as well as its relationship with its Italian colonial past – for a few years now. And every time I look at this country through a different facet, there is so much to discover.

This time I looked at the erasure of the colonial architectural heritage in Benghazi and Tripoli, gathering different viewpoints from Libyans, and their memories attached to these buildings.

I wrote the story for Al-Jazeera, with the title “Cultural treasure or painful reminder? Libya’s colonial architecture.”

Here is the link to the article

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My latest piece for the Times of Central Asia is entitled “Almaty’s Aspan Gallery Champions Central Asian Art at Home and Abroad.” For this article, I have interview Aspan Gallery’s director Meruyert Kaliyeva.

Here is the link to the interview

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The Kazakh pavilion “Jerūiyq: Journey Beyond the Horizon” at the 60th International Art Exhibition of the Venice Biennale, from April 20 to November 24, represents a major milestone in changing perceptions of Kazakh art.

Staged in the Naval Historical Museum, the exhibition reinterprets the ancient legend of Jerūiyq, drawing inspiration from Kazakh myths and the visionary journey of the 15th-century philosopher Asan Kaigy.

I have interviewed the Pavillion’s curator Anvar Musrepov for The Times of Central Asia.

Here is the link to the interview

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Aside from big names such as Marina Abramović, the Balkan region is little known globally, making it ripe for collectors.

I have interviewed some of these artists, collectors and galleries for the Financial Times.

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I have interview artist Maria Madeira and reviewed “Kiss and Don’t Tell,” Timor-Leste’s inaugural pavilion at the Venice Biennale for Plural Art Mag.

The show amalgamates Timorese traditions, personal narratives of displacement, and universal struggles for identity.

Here is the link to the article

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Una visitatrice di Art Basel Hong Kong

The Italian newspaper Il manifesto has just published two pieces of mine. One is an article reflecting back on the art week and the art marketin Hong Kong, the second is an interview with artist Kingsley Ng who did a commission for the façade of the Peninsula Hotel in Hong Kong.

Here is the link to the article

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The "South West Bank" show at Palazzo Mora [Naima Morelli]

My first report from Venice. Besides the controversy around the closed Israeli Pavilion, in this article for Middle East Monitor I look at three shows representing different facets of Palestine at the 2024 Venice Biennale

Here is the link to the article

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Malaysian-Palestinian artist Mandy El-Sayegh .[Photo Abtin Eshraghi. Courtesy of the artist and Lawrie Shabibi]

Middle East Monitor has just published my latest interview with Malaysian-Palestinian artist Mandy El-Sayegh.

Based on assemblage and cultural hybridity, the artist’s work uses artifacts from contemporary culture to speak of the current political climate.

Here is the link to the interview

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Painting of sitting room with a glassy side table, yellow sofa and plants

As Hong Kong is gearing up for its art week, I have spoken with collectors and gallerists for the Financial Times to see how the art market is a bit more fragmented than it used to be.

Here is the link to the article

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