Naima Morelli

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locandinapic
Thursday, June 25 at 5pm the Library of Oriental Studies at Sapienza University of Rome  will host the presentation of the book  “Arte Contemporanea in Indonesia, un’introduzione” by Naima Morelli. The presentation will be introduced by Filippo Salviati, professor of Eastern Asia archeology, art history and philosophies, with the partecipation of Michela Becchis, art critic and art historian, Francesca Gallo, professor of contemporary art, and Claudio Cozzolino, Press Office at Embassy of Indonesia to the Holy See.

The book is an introduction to Indonesian contemporary art, which now occupies a prominent place in the international art scene, from both a market and cultural standpoint. Placing itself in the dialectic between the global and the local, the book analyzes how in Indonesia the cultural, artistic, political and social context have influenced four generations of artists. The author guides the reader in the contemporary art places in Yogyakarta, Jakarta, Bandung and Bali, looking for the answer to the question: is there really something called Indonesian contemporary art?

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Yesterday we presented my book “Arte Contemporanea in Indonesia, un’introduzione” in Naples at the PAN|Palazzo delle Arti Napoli. It has been great to hear how the curators and professors who partecipated analyzed my book from their own personal perspective and background. Their approaches made me reconsider my research from new angles. It was bit surreal too, I’ve to admit. Like, is it really the work of this Sorrentinean brat over here they are talking about?

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Tuesday, April 28 at 6pm PAN | Palazzo delle Arti Napoli will host the presentation of the book  “Arte Contemporanea in Indonesia, un’introduzione” by Naima Morelli. The presentation, supported of the Consulate General of Indonesia in Naples, will be introduced by curator Maria Savarese with the partecipation of Matteo Basilé, Antonia Soriente, Professor of Language ​​and Literature at the University of Indonesia L’Orientale of Naples, Valentina Levy, curator and Asian art historian and Vincenzo Montella, director of the center of art and culture Il Ramo d’Oro.

The book is an introduction to Indonesian contemporary art, which now occupies a prominent place in the international art scene, from both a market and cultural standpoint. Placing itself in the dialectic between the global and the local, the book analyzes how in Indonesia the cultural, artistic, political and social context have influenced four generations of artists. The author guides the reader in the contemporary art places in Yogyakarta, Jakarta, Bandung and Bali, looking for the answer to the question: is there really something called Indonesian contemporary art?

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