Together, shows staged by the DEO Foundation and Perasma underscore how art can take root in unexpected places, drawing visitors beyond the well-worn circuits of cultural tourism. I wrote the piece for the Observer.
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Are we watching or being watched? Ali Cherri’s new show in Marseille, on view through the 4th of January 2026, deconstructs the museum from the inside out. I wrote the article for The Markaz Review.
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My review of the show “The Utopia of Rules”, which I saw at the Singapore Art Week at the beginning of the year, has been published in the latest issue of Mekong Review.
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Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
