Naima Morelli

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Scandinavia
A richly patterned textile-style image shows a winged mythical creature with a horse’s body and a human female head, adorned with elaborate jewelry and a headdress, set against a densely decorated floral background framed by ornate borders.

Like institutions globally, Norway’s biggest art museums are trying to adapt, sometimes haltingly, to a society whose values are shifting in real time. I travelled to Oslo to report for the Observer.

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