Loft Gallery director has spent nearly two decades building one of the country’s most important contemporary art spaces, while quietly assembling a collection guided entirely by instinct and love.
I have interviewed her for Observer.
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The 2026 edition of the 1-54 Contemporary African Art Fair Marrakech is smaller than in previous years. The number of galleries has been reduced, the fair occupies a tighter footprint and the broader media conversation has largely shifted further east.
The city itself, however, tells a different story. This year, the boutique fair operated in dialogue with exhibitions spread across the city, keeping visitors constantly engaged—if not by the energy of Marrakech itself, then by a program that extends far beyond the walls of La Mamounia, the state-of-the-art hotel where the fair takes place.
I reported from the fair for Observer.
The 2025 Helsinki Biennial delivers in the sense that it unfolds in the moment and strives for harmony, but do we really want art to affect us so imperceptibly that it’s ultimately like nothing ever happened?
I wrote my review of the Biennial for the Observer.
Here is the link to the article
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Beyond its commercial ambitions, the inaugural edition of VIMA art fair carved out space to consider Cyprus’ complex geopolitical position. I wrote a report on the fair for the Observer.
Here is the link to the article
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