Naima Morelli

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Tag "Italia"

matisse1
We are back with a new report from the Palazzo delle Esposizioni in Rome, where we followed a workshop for children inspired  by the exhibition “Il Giardino di Matisse”, currently on in the Museum. This show displays the original art from the namesake book by writer Samantha Friedman and Italian illustrator Cristina Amodeo, who reinterpreted the work by Henri Matisse.

The book was created for the exhibition “Henri Matisse: The Cut Outs” at MoMA. This was part of a new project by the NY museum, consisting in publishing a book for every large show linked to its collection, and a collaboration with several houses national and international publishing houses. For Italy it’s Fatatrac.

The osmotic process ended up in this workshop at Palazzo delle Esposizioni, where children were trying their hand at the collage, helped by their parents. The workshop was in fact aimed at family – so that art can become a way to spend quality time together. Enjoy the video! (in Italian)

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giorgia
Here’s the second installment of TeenPress’ series “Giovani Creativi”, dedicated to the emerging talents of the Roman arts and culture scene. This time we are a bit outside my comfort zone, as we are exploring theater.  Actress Giorgia Ferrara is born-and-bred Sicilian who moved to Rome in order to pursue her acting career. In this interview where we talk about her beginnings in the theater scene and the role art plays in her life.

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64
Twenty-fifteen has been an intense year full of cheerfulness, discovery and adventure – I feel I learned so much! For starters I reconquered Rome, which I re-elected as my base (I keep on saying “for the time being”, but truth is, I’m in love with this city). Since I installed in my bedroom in San Lorenzo – the left-leaning, working-class neighborhood of Rome – I felt a new chapter of my life had started.

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1

Si è da poco conclusa la mostra con mia curatela “Nothing’s happened since Yesterday – Due artisti da Melbourne” di Georgina Lee e Kenny Pittock alla Galleria 291est, Roma. Se non avete avuto modo di visitarla ma siete curiosi di sapere di che si trattava, ecco il mio testo critico a corredo della mostra, più una galleria di immagini:

“Paesi geograficamente lontani da noi come l’Australia suscitano suggestioni diverse che dicono molto non tanto del paese stesso, quanto della persona interpellata.
Per alcuni all’Australia si associa all’esodo in corso della gioventù italiana in cerca di prospettive lavorative. Sono infatti sempre di più coloro disposti ad affrontare più di 24 ore di volo e un cambio radicale per sistemarsi in quella che è vista come la nuova America. Per loro l’Australia sarebbe tutta percentuali di disoccupazione bassissime, clima amichevole e qualità della vita alta; almeno secondo le statistiche. Per altri invece Australia vuol dire esclusivamente spiagge sconfinate popolate da biondi surfisti abbronzati. Altri non penseranno altro che ai coccodrilli e ai cappelli di pelle a falda larga con i dentini di alligatore (ne ho uno e sono indecisa se indossarlo all’opening di questa mostra o meno, giusto per il gusto di farmi accoltellare dai due artisti indignati per lo stereotipo). 

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benjamin
The Italian web magazine Art a Part of Cult(ure) has  just published the interview I had in Rome with artist Benjamin Skepper with the title “Benjamin Skepper, l’olandese tra Australia, Tokio, Russia, resto del mondo e bellezza. L’intervista”. The interview is part of my reportage about artists in Melbourne.

Here the link to the interview

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“Nothing’s happened since Yesterday – Due artisti da Melbourne” is going to open tomorrow at Galleria 291est in Rome and we are super-excited. These days have been pretty busy for exhibiting artists Georgina Lee and Kenny Pittock; I dragged them to gallery and vernissage all over Rome, yesterday we had a talk at the Art Academy (pics soon on this blog) and most importantly they have installed their work in the gallery. On the second day both artists showed up at Galleria 291est sporting “I love Rome” t-shirts. Kenny was so in love with his t-shirt to the point that he refused to change it even for the ultra-posh opening in Villa Medici, the French Academy. That’s the best part of being an artist after all, you can wear whatever the hell you want and no one can tell you anything!
The whole setting-up process has been filmed by Mauro Piccinini of Hour Interview, a great video series that catches snippets of artists’ working day. I’m super curious to see the result! If you are in Rome in these days, come visit us for the opening tomorrow!

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Manifesto

Il 31 maggio inagurerà alla Galleria 291 est a Roma la mostra dei due artisti australiani Kenny Pittock e Georgina Lee, con mia curatela. La mostra è parte della mia ricerca sugli artisti emergenti a Melbourne. Beccatevi il comunicato e una galleria di immagini:

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shixinning

The Italian magazine Art a Part of Cult(ure) has just published my review of Shi Xinning’s exhibition “Idea or Event” at Primo Marella Gallery, Milan.

Here the link to the review

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accademia

Ho recentemente ritrovato nei meandri di internet un mio articolo del 2008, riguardante gli esami di ammissione in tre delle più prestigiose Accademie di Belle Arti italiane, Roma, Napoli e Firenze. Al tempo mi recai nelle tre città per ovviare alla latitanza di informazioni sul web riguardo agli esami di ammissione, quello che trovai invece fu una sorta di specchio dell’Italia. Agli esordi del 2014 non penso che la situazione sia molto cambiata.

Viaggio tra le Accademie di Belle Arti d’Italia

Le informazioni sulle Accademie di Belle Arti Italiane sono scarse, i siti ufficiali poco aggiornati, le segreterie avare di informazioni, i forum a cui si rivolgono i ragazzi telegrafici. Abbiamo dato un’occhiata alle prove d’ammissione nelle Accademie di Belle arti di Firenze, Roma e Napoli: ecco il verdetto.

“Di dove sei?”
A farmi la domanda è una ragazza dall’aspetto un po’ alternativo, lunghi capelli castano chiaro e look hippie: “Io sono di Bologna, ho fatto il test di ammissione anche là, ma dicono che sono tutti raccomandati, e comunque è meglio farlo da più parti, perché se non entri hai sempre un’altra possibilità”.

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Alberto

If you think that in the eighties in Italy there were just Loredana Bertè, Donatella Rettore and the Diaframma to dress weirdly, you are wrong. The eighties in Italy were truly rad. (If you are not Italian there are good chances you never hear of Loredana Bertè, Donatella Rettore and especially the Diaframma).

Anyways, if you have any doubt about the radness of the eighties in Italy, you should check st. foto libreria galleria, ironically just two steps away from the Vatican. You will be surprised to know that all the people looking at you from the pictures on the wall were actually everyday roman people, except that by night they transformed into dark eighties rockers.

The photographic work of Dino Ignani is anthropological. The portraits are almost segnaletic pictures, with a neutral background and no particular choice of light or pose.
He was “archiving” the underground dark scene of Rome. All these young people were photographed in roman discos and they dressed up for the occasion.

“It was startling to see all these people coming at the opening of the exhibition” said curator Paola Paleari ” you can tell that there were the same people of the pictures, but they look cleaned up from that dark look and even their attitude was different”.

It was an interesting choice from the st gallery to cover this less-known period of the Italian recent history, focusing on that particular community. For some it would be nostalgia, for some others even inspirational. Eighties are back.

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deblauwer

The Italian web magazine Art a Part of Cult(ure) has just published my review of the Katrien de Blauwer’s exhibition “Where will we hide” at Galleria 291 est, Rome.

Here you are the link to the review

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Rome

We have seen plenty of celebrations of the sea. The only subject that is as hackneyed as the sea is the sky. And love.
But really, to be innovative is not to talk about a new subject for the first time. To be innovative is to be able of talking about a corny subject in a new, or personal or moving way.
If you are a musician, go ask Ivano Fossati about it. If you are a painter, ask Piero Guccione. If you are a photographer, do what Monitor Gallery did. Go ask Antonio Rovaldi.

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