I have written a piece on architecture in Benghazi for the German webmagazine Qantara. As Benghazi’s Italian-era architecture disappears, an exhibition brings together architects and artists rethinking the city’s history — reassessing the colonial past without celebrating it.
Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
