Naima Morelli

Tag "Malaysia"

I’m very happy to announce that “This is how it is” the monograph of Malaysian artist Yeoh Choo Kuan, is finally out, published by Richard Koh Fine Art. I have written the book’s texts that translate and interpret the different phases of the artist’s career, and realized interviews that figure as segments in the book.

The book features also a foreword by curator and critic, Louis Ho and was edited by writer Rosa Maria Falvo. It presents a number of images of the artist’s work, from his formative years (2011-2014) to the more recent installations and the iconography of traditional Sinophonic visual culture (2018-2020).

You can find the book at Richard Koh Fine Art

From the first dialogues with the artist and the gallerist back in 2019, to visiting the artist’s studio and getting to know the artist’s environment in January 2020 – right before the start of the pandemic – it has been an incredible journey of discovery. Both in the real world – getting to Kuala Lumpur to see the works in person – and at my working table, through the process of writing.

So, about the writing. To talk about some artworks you necessarily need to excavate deep truths. And Choo Kuan’s monograph was definitely a work where the pen was really attuned to the spirit. What I mean by that? Let me back off a bit and explain where I come from in terms of books.

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The webmagazine and collector’s platform CoBo has just published my interview with artist Umibaizurah Mahir Ismail, who is known to pushing the boundaries of ceramic work in Malaysia.

Here is the link to the interview


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First signs of my research here in Singapore. Australian webmagazine ArtsHub has just published my article on the National Gallery of Singapore, which will open to public on the 24th of November.

Here’s the link to the piece

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