Naima Morelli

In this article for CoBo about Art Jakarta 2019, I take a look at the most interesting artworks at the fair —with a special eye to those who are a bit under the radar.

Here is the link to the article

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4emergingbattambang

The contemporary art scene in Cambodia is still very young and in the making. Distinctive stylistic trends and artistic fervour are emerging in the three major cities, creating elements for a dialogue to come.

For those looking for true solace as well as engaging conversations with artists, Battambang is definitely the place to go. Here time slows down. Artistic practice largely takes a meditative slant, and are more often than not, based on considerably traditional mediums.

I have look at the four more interesting emerging artists hailing from this Cambodian city for CoBo.

Here is the link to the article

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sum1

These days I’m filled with love for the world.

Summer leaves are lighten up by the sun and look like emeralds. They have this love effect. Happy movement and endorphins have this love effect. So has making new friends. Rediscovering the old ones. By whatever means connection with what’s around me happens, that’s where the gold is. Noticing the beauty all around me.

These days, every time I go “off-track”, I “derail”, there is a sentence that pops always in my mind, sorting things out. The words are: “You think you have many different problems, but you only have one: your disconnection for Love (from Life, from God, from Source, from the Nature of Existence, whatever you want to call it.)

This happens to us when we are in pain, of course. But in pain — especially in pain — there is labour of love to do. We are called to action. And when I remember this words, I have a choice. Knowing that pain is inevitable but suffering is optional, I can either stay in the self-made hell, in the suffering — whether psychological or physical — or work towards mending the wounds.

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LaGrieta

In their wonderful graphic novel/field journal “The Crack” photographer Carlos Spottorno and journalist Guillermo Abril report the unfolding of Europeʹs migrant crisis from Africa to the Arctic over the course of three years. Their aim is to identify the causes and consequences of Europeʹs identity crisis.

I have interviewed the two reporters for Qantara, a webmagazine promoting cultural exchange, based in Germany. I’m super-excited because of this new collaboration, which allows me to bring back my explorations in foreign realities back to my homeland Europe.

Here is the link to the interview

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JakkaiSiributr
The webmagazine Cobo has just published my interview with Thai artist Jakkai Siributr. This particular conversation has really provided clarity to shed new light on the whole month-long reportage I did in Thailand at the beginning of the year.

I have found this happens every reportage. There is always one conversation that reveals a particular key to read the reality your are exploring, or throws in a few challenges and reflections that stay with me long after the field research is finished.

Often that key comes from a figure – like Jakkai in this case – who has extensive knowledge of both Eastern and Western contemporary art practices, and is able to bridge the two through the narrative of his life.

There are few others interview to go to conclude the material I have collected with this reportage in Thailand, and can’t wait to share it more with you. But for the time being…

Here is the link to the interview

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writing1
It’s a long time I don’t press pause from the journalistic mode for a moment, to share some parts of my life as an arts and culture writer. I decided to do it today, to spell out the cardinal points that drive my writing today. Spelling them out for myself in the first place, of course, so I can embrace them with more awareness.

I must start by saying that, as writers, we might take our work lightly, but holding a pen is like holding a sword (or a bo staff to pick my weapon of choice.) That’s why I have decided to always make my best to be impeccable with my words, using this power for good. Some of these ethics I took to balance out my original spirit, which is quite combative, in a way which gives me strength and passion, but can easily get out of hand.

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YasmineLaraqui
I have a growing interest for Marocco and the way contemporary art is developing in this country. This time I discussed the emerging art scene with curator, artist and gallerist Yasmine Laraqui founder of Dasthe Art Space and Agency in Casablanca for Middle East Monitor.

Here is the link to the interview

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Ruangsak

CoBo has just published one of my favourite interview from my reportage in Thailand, the one to Bangkok-based artist Ruangsak Anuwatwimon.

Ruangsak feels compelled to fight for environmental awareness. His poetic installations take on this cause, revealing the brutality of humans towards the Earth, buried under a beautiful surface.

Here is the link to the interview

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Pattana

Another article from my reportage in Thailand. This is an interview with artist and photographer Pattana Chuenmana, and has been just published by CoBo.

Here is the link to the interview

 

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IlRediBangkok

A new article of mine in Italian has just been published on the webmagazine Art a Part of Cult(ure). It’s an interview with the three authors of the great graphic novel “Il Re di Bangkok”, Claudio Sopranzetti, Sara Fabbri, Chiara Natalucci, published by ADD Editore.

It was serendipitous to read this work right after my reportage in Thailand, at a time when I’m delving deeper into the graphic novel world.

Here is the link to the interview

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HamidSulaiman

For my first article for the webmagazine Middle East Eye I have realized an interview to Syrian artist and graphic novelist Hamid Sulaiman. It was a great chat about his work “Freedom Hospital” and his future projects going forward.

Here is the link to the interview

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PalestinianMuseum
I might be repeating myself, but even a short piece of writing – meant to announce the publication of a new piece – is an opportunity to speak about the true wonder of this job. The knowledge, hope and excitement that it brings. Every conversation is a gift, every piece published a way to let all this interestingness out, to feel part of those bringing light and understanding to our human society.

Anyway, this interview with Palestinian Museum director Dr Adila Laïdi Hanieh, adds up to my research on art and culture in Palestine, I have been started researching since I wrote my first few articles for the excellent web magazine Middle East Monitor. The conversation with such an elegant personality, whose direction is bringing harmony and rationalisation to the Palestinian Museum, was truly inspiring.

Here is the link to the interview

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