Responding to Impressionism, UAE artist Alia Zaal studied the natural landscapes of Vétheuil, Abu Dhabi and Dubai, both in their natural and artificial ecosystems, finding connections between her own UAE landscape and the impressionist one. The artist reimagines familiar scenes of the sea, the desert and the city lit by the sun, the moon and street lights.
I have interviewed Alia Zaal for Middle East Monitor.
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“I believe in destiny. And indeed the way I began with photography was a complete accident,” says Palestinian artist Rula Halawani: “It was just something that came to me.”
Born in Jerusalem in 1964, Halawani is influencing generations of young artists and photographers, both with her rich oeuvre, exhibited in shows, Biennales, and art fairs around the world, as well as her role as an art teacher and professor at Birzeit University in Palestine. I spoke to her for Al-Monitor.
Here is the link to the interview
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“The Visual Arts Forum started in the streets with the idea that art is an important tool for transformation,” explains Deema Ershaid, the Visual Art Forum’s Executive Director. “Palestinian artists felt a strong sense of responsibility during that phase, a feeling that they had to do something; they wanted a say in what was happening; they longed to be a part of people’s lives.”
I have interviewed Deema and artist Rafat Asad for Middle East Monitor, to talk about the development of the art school Visual Art Forum in Palestine.
Here is the link to the interview
Read More![Nameer Qassim, “Enough”, 2020, Acrylic on canvas, 100x100 cm [Courtesy of The Palestinian Museum US]](https://i0.wp.com/www.middleeastmonitor.com/wp-content/uploads/2022/04/Nameer-Qassim-Enough-2020-Acrylic-on-canvas-100x100-cm.-1-e1651149649212.jpg?resize=930%2C620&quality=85&strip=all&zoom=1&ssl=1)
Curated by Nancy Nesvet, head curator at the Palestine Museum in the US, the exhibition “From Palestine With Art” features 19 Palestinian artists from Palestine and across the diaspora.
“This is the strongest Palestinian presentation ever,” said Faisal Saleh, director of the Palestine Museum US. “In terms of the size, and the boldness of its pieces, it is a very significant, strong presentation. I think this is going to have a very big impact and get the Palestinian name out in a big way.”
I have reviewed the show for Middle East Monitor.
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“The Road to Reframe” by Dia Mrad is a photo series capturing local architecture after the explosion at the Beirut port on Aug. 4, 2020, and one of the most interesting works that has been presented at Art Dubai.
I have interviewed the artist for Al-Monitor
Here is the link to the interview
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Middle East Eye has just published my gallery piece on a new exhibition which sheds light on coastal landscapes in Palestine, how they’ve changed over time and the narratives that have emerged.
A People by the Sea at the Palestinian Museum in Birzeit, aims to change the standard depictions of Palestine and showcase stories that are often overlooked.
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Podcasts have been my constant companions since their inception, so I was thrilled when artist and journalist. Joana Alarcão interviewed for her “Insight of an Eco Artist” podcast.
In the interview I spoke a ton about researching Southeastasian contemporary art, my writing about art in the MENA region and even a little about my graphic novels, so the interview was divided in two parts.
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Where does a refugee find her homeland? Perhaps in unexpected places; a memory of the country might emerge through the most mundane gestures, or even from a simple interaction with certain objects.
I spoke about this subject with Palestinian dancer Farah Saleh for Middle East Monitor. Farah is preparing a new interactive live performance installation called PAST-inuous for the upcoming Dance International Glasgow.
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For my new piece for Al-Monitor I speak with a comic book artist and a photographer/editor about the queer community in Lebanon – and in Beirut specifically – and how it has changed over time.
Read More![Diana Al Hadid [Diego Flores]](https://i0.wp.com/www.middleeastmonitor.com/wp-content/uploads/2022/02/dania.jpg?resize=1199%2C800&quality=85&strip=all&zoom=1&ssl=1)
Musing around the work of an artist who draws her inspiration from multiple, diverse sources is always extremely enjoyable for me – especially if the artist’s references encounter my own, in a high-brow, low-brow dialogue.
In this piece I wrote about the outstanding work of Syrian-American artist Diana Al-Hadid, and read it in the light of both Buddhist philosophy and the Foo Fighters.
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Starting Palestine’s first ever art fair during a global pandemic may seem a daunting proposition, but for Ziad Anani and Yusef Hussein, of the Zawyeh Art Gallery, it was a much needed way to bring Palestinians together in testing times.
I reported and wrote the story for Middle East Eye.
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My latest piece for Middle East Monitor explores the work of Paris-based Gaza-born artist Hani Zurob.
In his latest series, “ZeftTime” the artist uses tar and broken glass to harrowing effect, as a metaphor for a shattered society. The works seems to suggest that amid tragedy there is no time to think and make up a narrative around what is happening; there is only the absolute presence of the emergency.
“This is the law of time,” Zurob points out. “Every passing moment is a new opportunity for a complete change.”
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Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
