Naima Morelli

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The Singapore-based webmagazine Plural Art Mag has just published an interview with artist Justin Lee and Teng Jee Hum, one half of the Teng Collection, together with June Ong.

It was beautiful to learn how their synergies came together to create a one-of-a-kind show at The Private Museum in Singapore.

Here is the link to the piece

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I went to Cambodia for the first time in 2018, doing Siem Reap, Battambang and Phnom Penh. During my one month research trip I spoke with as many artist, curators, gallerist that I could.

Cambodia and its arts scene operated a deep transformation in my spirit, and I became very fond of the burgeoning art scene there, steadily developing despite the many difficulties.

One of the most deep, articulated conversation that I had during that time was with artist and curator Vuth Lyno. When I visited him at the art space Sa Sa BASSAC in Phnom Penh, I mostly asked him about the art community.

This time, I have interviewed him for Plural Art Mag, about it latest work Sala Samnak at Mirage Contemporary Art Space, Siem Reap.

Here is the link to the interview

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MUST WATCH] Badass Staff Spinning Reel | Michelle C. Smith - YouTube

Global Comment just published a piece of mine which is a bit different from what I usually write.

It’s an article about Canada-based teacher, actor and stuntwoman Michelle Christa Smith, who showed up every day on YouTube and Instagram from the very start of the pandemic, teaching not only her signature style of staff spinning, but also resilience, consistency, and building an amazing virtual community.

I know because, of course, I practiced along!

Here is the link to the article

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In the last couple of years I have been developing a growing fascination with the complexities of Libyan culture. While in my past I have been focused mainly on how Italian artists were looking at colonialism in Libya, now I’m starting to delve on the voices of Libyan artists themselves.

And what a better way of approaching the subject than interviewing Najlaa Elageli for Middle East Monitor. She has greatly contributed to spread the knowledge on contemporary Libyan art in the country and abroad.

Here is the link to the interview

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Artist, director and poet Hind Shoufani insists that her Palestinian-ness is a political act. “It is a choice to be on this side of history,” she tells me, “whether we triumph or not, whether I carry some piece of identification paper with blue colours on it, or green colours on it, or rainbow glitter tie-dye on it.”

Middle East Monitor has just published my interview with Hind Shoufani.

Here is the link to the interview

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Middle East Monitor has just published my interview with Lena Merhej, Karen Keyrouz and Barrack Rima, members of the Lebanese comics collective Samandal

Here is the link to the article

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It’s always a privilege to be able to interview cultural figures I have been admiring for a long time. Since my first inception to Singapore, I wowed at the green architecture of the firm WOHA.

Thanks to a virtual show at Gajah Gallery, I have found out WOHA’s founder Richard Hassell is also an art lover and collector. He curated the show Complex Humour highlighting works by I GAK Murniasih and Yunizar.

Both artists present humourous works overlaid with much more difficult themes, as well as tribal elements.

Here is the link to the interview

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Nadia Khiari’s satirical cats

I have recently interviewed Tunisian cartoonist Nadia Khiari for Middle East Monitor.

Khiari delivered her disillusioned humour through a cartoon cat called Willis. Appearing in magazines and on signs held aloft by protesters, Willis soon became the iconic “Cat of the Revolution”.

Here is the link to the interview

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Whirling on site at Beit Beirut [Zena el Khalil]

In my research on contemporary art I started to focus a lot on the spiritual values that artists carry with them and let come through their artworks and practice – despite the many hardships they might be facing.

In this sense, the life experience of Zena El-Khalil, a wonderful artist I had the pleasure to interview for Middle East Monitor, is emblematic. We talk specifically of her way of coping with the terrible explosion that has devastated Beirut, and the way art and her spiritual practice have helped her to look for the spring to come.

Kicking off the new season of articles with this interview makes me really proud, warms my heart and encourages me to look at the struggles in life with a different perspective. Hope it will do the same for you:

Here is the link to the article

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Three weeks ago, I met with my friend Rod in Naples and we decided to give up our egos.
He was coming from Rome by train, I was coming from Sorrento by train also and I was very late, since the boats going across the gulf were cancelled.

That was the first time I saw Rod after the lockdown happened in March. Last time we met, we were conjuring up a show in Venice for a leading Indonesian artist, together with another great Asia-expert curator. We were thrilled, and Rod in particular was juggling the excitement for a new curatorial adventure, with the alertness for the new Covid restriction on his workplace, and finally the realization that he had to work on expressing more his emotions.

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For multimedia artist Steve Sabella, these hard times require us to access the potential of our imagination in order to conjure up our collective future. His works of art reflecting the hardships of the Palestinians become universal metaphors for global rebirth.

My interview with Berlin-based Palestinian artist Steve Sabella has just been published on Middle East Monitor.

Here is the link to the interview

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The webmagazine Al-Monitor has just published my article on the exhibition “Art in the Age of Anxiety” at the Sharjah Art Foundation.

The exhibition (now postponed) looked at online technology and communications feeding existential angst. It seems more relevant than ever today amid the global fears due to the coronavirus outbreak and the extensive information available.

Here is the link to the article

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