Naima Morelli

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Thailand

Ruangsak

CoBo has just published one of my favourite interview from my reportage in Thailand, the one to Bangkok-based artist Ruangsak Anuwatwimon.

Ruangsak feels compelled to fight for environmental awareness. His poetic installations take on this cause, revealing the brutality of humans towards the Earth, buried under a beautiful surface.

Here is the link to the interview

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Pattana

Another article from my reportage in Thailand. This is an interview with artist and photographer Pattana Chuenmana, and has been just published by CoBo.

Here is the link to the interview

 

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IlRediBangkok

A new article of mine in Italian has just been published on the webmagazine Art a Part of Cult(ure). It’s an interview with the three authors of the great graphic novel “Il Re di Bangkok”, Claudio Sopranzetti, Sara Fabbri, Chiara Natalucci, published by ADD Editore.

It was serendipitous to read this work right after my reportage in Thailand, at a time when I’m delving deeper into the graphic novel world.

Here is the link to the interview

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Piyarat

A desire to find answers brought Thai artist Piyarat Piyapongwiwat from the luxurious Bangkok advertising offices to the factories of Myanmar. Today, she tackles socio-political themes through both her installations and video.

My interview with this wonderful artist, endowed with a quiet strenght, has been just published on CoBo.

Here is the link to the interview

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SEAPavVenice2019

Hong-Kong based website and platform for collectors CoBo Social has just published my review of the Southeast Asian Pavilions at the 2019 Venice Biennale. I looked at the different national propositions with interest and a bit of a critical eye as well.

Here is the link to the review

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Thanom

Culture360, the webmagazine of the Asia-Europe Foundation, has just published my interview with one of the most forward-thinking and controversial art critic, arts writer and artist in the Thai art scene, Thanom Chapakdee.

This article is part of the reportage Roberto D’Onorio and I conducted in Thailand at the beginning of 2019. We interviewed cultural practitioners in the Thai art scene and learned about the different practices and power structures of the Thai art system. Here is to you an authoritative voice telling his side of the story.

Here is the link to the interview

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Torlarp
More from my reportage on Thai contemporary. This piece, just published by CoBo, is an interview to Chiang Mai artist Torlarp Larpjaroensook, owner of Seescape Gallery. I have really great admiration for this self-made-man, and of course self-made-artist, who is all about the community.

And as a side note, I started doing this job, arts writing, more than 10 years ago now. And yet, every time an article of mine is published, I’m still so thrilled and grateful. The interviews, the chance to ask questions, the artworks, the artists, the magazines I write for and my incredible editors, the people I met, the people I traveled with, the chance to explore the world, to learn about it through its artists, the impressions, the learning, the struggles and still being here to tell tale.

I feel incredible blessed to live this life, doing this job. Hopefully some glimmer of the bliss, both mine and the one of Torlarp’s, will transpire through the lines.

Here is the link of the interview

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PanyaProjects

 

“We see the amazing and essential potential of humanity and we work to contribute to it. I’m done fighting against. I’m up to build the world we want to see.”

Interviewing Panya Project’s founder Christian Shearer for ASEF Culture360 made me consider different possibilities for the future of our planet.

We delved into alternative living, alternative agriculture, alternative community and even alternative economy. I believe you will find it interesting as well.

Here is the link to the interview

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Manit
It has been more than 10 years now I have started to see my articles published on magazines, and  I’m still full of joy and wonder every time one is out. Especially if they are particularly satisfying conversations, like this one with none other than the great Thai artist Manit Sriwanichpoom.

The piece has just been published on CoBo Social it is also linked with the webmagazine’s current focus on Art and Politics. This article is part of my reportage on the Thai contemporary art scene I completed a month ago.

Here is the link to the interview

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KaminLertchaiprasert
The first article of my Thailand reportage is out on CoBo Social. This is an interview with the incredible Chiang-Mai based artist Kamin Lertchaiprasert.

I had encountered Kamin around the world many times before actually meeting him. The first time in the form of a hyper-realistic statue with eyes closed in a meditative position. This was part of his work “No Past, No Present, No Future”, a resin-cast sculpture with human hair exhibited at the Palais the Tokyo in Paris. I stumbled into the same work at Art Stage Singapore 2018 and just a few days before driving to his studio, I saw a young version of him in some early self portraits at MAIIAM. It was still difficult to know what to expect from a conversation with him.

Here is the link to the interview

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Dinh Q. Lê’s Pure Land: Beauty in Everything

One of the most interesting, beautiful and disquieting shows I have visited in Bangkok was “Pure Land” at Tang Contemporary in Bangkok, a show by artist Dinh Q. Lê’s, curated by Loredana Paracciani. I have written about it for CoBo.

Here is the link to the review

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ThaiartistsPolitics

 

As I’m gearing up to leave for a reportage on contemporary art in Thailand in February, I’m gathering all the preliminary research in these pieces for Cobo. These encapsulate my core areas of interest (you might have read already 5 Thai Artists that Connect Us to Spirituality)

I really love to make those articles that gather artists by topic. I see them as so much more than simple listicles. I have the chance to research the practice of an artist in depth, and then distill the essence of their practice in a few paragraphs. In this way I’m also able to see how artists from the same country have different approaches to the same topic. By spotting similarities and differences, I can start grasping some sort of whole and overarching narrative.

Here is the link to the piece

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