Naima Morelli

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Italy

Rome’s favourite contemporary art webmagazine, Art a Part of Culture has just published my interview with the emerging artist Leonardo Crudi. It’s written in Italian – a language I take much more fun and freedom in. So, if you can read, you’ll find it a bit gonzoish.

I greatly enjoyed the works of this young street-artist-turned-Russian-avant-garde lover, and thanks to curator Tiziano Tancredi (who curated the show together with Giovanni Argan) I manage to keep in touch with the up-and-coming scene of the city I live in (most of the times)

Here’s the link to the piece

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sum1

These days I’m filled with love for the world.

Summer leaves are lighten up by the sun and look like emeralds. They have this love effect. Happy movement and endorphins have this love effect. So has making new friends. Rediscovering the old ones. By whatever means connection with what’s around me happens, that’s where the gold is. Noticing the beauty all around me.

These days, every time I go “off-track”, I “derail”, there is a sentence that pops always in my mind, sorting things out. The words are: “You think you have many different problems, but you only have one: your disconnection for Love (from Life, from God, from Source, from the Nature of Existence, whatever you want to call it.)

This happens to us when we are in pain, of course. But in pain — especially in pain — there is labour of love to do. We are called to action. And when I remember this words, I have a choice. Knowing that pain is inevitable but suffering is optional, I can either stay in the self-made hell, in the suffering — whether psychological or physical — or work towards mending the wounds.

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LaGrieta

In their wonderful graphic novel/field journal “The Crack” photographer Carlos Spottorno and journalist Guillermo Abril report the unfolding of Europeʹs migrant crisis from Africa to the Arctic over the course of three years. Their aim is to identify the causes and consequences of Europeʹs identity crisis.

I have interviewed the two reporters for Qantara, a webmagazine promoting cultural exchange, based in Germany. I’m super-excited because of this new collaboration, which allows me to bring back my explorations in foreign realities back to my homeland Europe.

Here is the link to the interview

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IlRediBangkok

A new article of mine in Italian has just been published on the webmagazine Art a Part of Cult(ure). It’s an interview with the three authors of the great graphic novel “Il Re di Bangkok”, Claudio Sopranzetti, Sara Fabbri, Chiara Natalucci, published by ADD Editore.

It was serendipitous to read this work right after my reportage in Thailand, at a time when I’m delving deeper into the graphic novel world.

Here is the link to the interview

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AsiaticaItaloSpinelli

I’m forever passionate about the connections between Europe and Asia through culture. This time, we explore the power of cinematic language across continents with Italo Spinelli, director of Asiatica Film Festival in Rome, Italy, for Culture360.

Here is the link to the interview

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5

This end of the year post has been a tradition for many years, and it’s for me one of the most pleasurable things to write. This one is pretty long, so gear up, or perhaps skip to the section which is of most interest to you.

Looking back at this 2018, I feel bursting with gratitude. I do what I have always wanted to do since I was a child, and I have a huge freedom which I don’t take for granted. For this stage in my life, I’m fully self-actualized, I’m embodying all of my passions. And each one of them leads me to new paths, new learning, new discovering journeys. This unfolding is a beautiful story to tell, and I feel my life is like an artwork. And I can appreciate its dynamism fully, its ups and downs, its clarity and its drama, because I know it’s ultimately all a play. The comedy of life.

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manifestapalermo

Here is an art event where contemporary art don’t lose itself in mere theoretical speculations, but rather tackles important and timely issues. The 12th edition of the Biennale Manifesta called “The Planetary Garden: Cultivating Coexistence” (16 June to 4 November 2018, Palermo, Italy) examines through site-specific artworks the themes of migration and the environmental concerns of our times.

I spoke about it with founder Hedwig Fijen and creative mediator Ippolito Pestellini Laparelli for Culture360, the webmagazine of the Asia-Europe Foundation.

Here is the link to the piece

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lovesharing

Migration is such an important topic for our times. I have recently explored it through an interview with Maria Virginia Siriu from the theater company Theatric, and organizer of “Love Sharing – Festival di teatro e cultura nonviolenta”, in Cagliari, Sardinia. The piece has just been published by the webmagazine Middle East Monitor.

Here is the link to the interview

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museumsrome

I have just been back from Japan a couple of days ago,  and it has been great to find my essay on the state of contemporary art museums in Rome published on Culture360, the webmagazine of the Asia-Europe foundation.

The piece stems from my conversations with Hou Hanru and Giorgio de Finis, and takes into consideration the example of the ex-GNAM, La Galleria Nazionale directed by Cristiana Collu. While in the piece I take a bit of a critical tone, I hope that you can read through the lines my positive feeling for a scene in transformation.

Here is the link to the piece

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stilness3
Back with some updates from my life. There is noting better than a warm, sleepy Saturday morning without super-urgent deadlines for articles, to stop for a second and ponder and reflect on the amazing ride I have been on since the beginning of the year. Basically, a moment of quiet to park the horse and smell the roses. I feel this is somewhat necessary to have a clearer picture of my narrative, because of course it’s a story, but we humans need to make sense of things, and it’s fun, and my heart longs for it! I feel that when I’m talking with friends I tend to focus on the problems, maybe because I have identify them as the alley to let it all out. But my public writing, whether for these occasional rants or even in my articles, is really the place where I feel compelled to look at beauty, while not shying away from complexity. I feel it’s my wiser self talking, and I’m happy to get raw and vulnerable. Well, most of the times!

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curatorsasiaeurope

Culture360 – the webmagazine of the Asia-Europe Foundation – has just published my piece on independent curators bridging Asia and Europe (and also other parts of the world) through contemporary art.

I have met these three incredible women in several occasions; they are doing a very important and necessary work, filling gaps in understanding across cultures. Their practice and professional rigour inspires me greatly.

Here is the link to the piece

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1

I love the end of the year so much. Looking back and taking stock of what worked and what didn’t, because acknowledging that even what apparently didn’t worked is the seed for something even bigger to happen. And also, recognizing that nothing is ever wasted, and everything will converge eventually, because it’s all you, all one person is one universe following his own personal trail of crumbs.

In the past few months I haven’t posted on the blog my regular rants/reflections on my journey through life. This is because I realized that instead of being focused on the present and what was at hand, I was rehearsing the “narrative of my life” a little too often. Too much of looking back and planning ahead, instead of sitting down, spot the priorities and get down to them. Which resulted a dispersive mindset and lazy habits. And now that is the right time to reflect, look back and appreciate, it just feels so much better. A few lessons have unfolded. And while of course everything is unfolding all the time, I feel that right now I can see a motif appearing, whereas in the past few months it was more the phase where everything was colliding before taking a recognizable form.

Enough with vagueness! Let’s get down to the specifics; one thing I learned this is that when you ask your friends for feedback in a particular area of your life they know you well for, they will always tell you that “in the past you were so much better at this.” Of course you know that this is not true. There were movements where you showed up with your higher self in that sector. One particularly focused training session, a period where you were really pushing with work, another week where you realized a set of very good comic book pages. Growth is never even. You’ll have moments where you are quietly learning in some areas and it doesn’t show, and moments where it finally come up. It’s a gift to have friends to keep you in check, but most importantly you have to regularly practice, day in day out.

On the edge of 2017 I can see how all the expressions of my being are starting to come together, and hopefully in 2018 they will find a way to coexist harmoniously as an even flow. Ok, let’s be more specific. I guess I’ll start by looking at the year through the lens of my different practices.

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