Naima Morelli

Archive
Italy

My interview with illustrator and comic book artist Andrea Serio has just been published on the Italian webmagazine Art a Part of Culture.

I have been admiring this artist for many years, and is no exaggeration to say that his art influenced my way of looking at the landscape.

Here is the link to the interview

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Three weeks ago, I met with my friend Rod in Naples and we decided to give up our egos.
He was coming from Rome by train, I was coming from Sorrento by train also and I was very late, since the boats going across the gulf were cancelled.

That was the first time I saw Rod after the lockdown happened in March. Last time we met, we were conjuring up a show in Venice for a leading Indonesian artist, together with another great Asia-expert curator. We were thrilled, and Rod in particular was juggling the excitement for a new curatorial adventure, with the alertness for the new Covid restriction on his workplace, and finally the realization that he had to work on expressing more his emotions.

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I had the privilege to write the curatorial essay for the catalog of Neapolitan artist Sergio Fermariello’s new show “Warriors” opening tomorrow, 7 February, at Richard Koh Fine Art in Singapore. The piece is titled: “Hitting God’s Head with a Hammer Until It Breaks” – a poignant metaphor courtesy of genius Fermariello himself.

As a side note, when I first started working with the art scene in Southeast Asia, back in 2012, I could only hope more and more ties would create between my native Italy and that part of the world.

It has been incredible to see how these exchanges unfolded, and even more beautiful to see Italian artists experiencing the Southeast Asian art world, that has been so open and kind to me.

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Rome’s favourite contemporary art webmagazine, Art a Part of Culture has just published my interview with the emerging artist Leonardo Crudi. It’s written in Italian – a language I take much more fun and freedom in. So, if you can read, you’ll find it a bit gonzoish.

I greatly enjoyed the works of this young street-artist-turned-Russian-avant-garde lover, and thanks to curator Tiziano Tancredi (who curated the show together with Giovanni Argan) I manage to keep in touch with the up-and-coming scene of the city I live in (most of the times)

Here’s the link to the piece

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sum1

These days I’m filled with love for the world.

Summer leaves are lighten up by the sun and look like emeralds. They have this love effect. Happy movement and endorphins have this love effect. So has making new friends. Rediscovering the old ones. By whatever means connection with what’s around me happens, that’s where the gold is. Noticing the beauty all around me.

These days, every time I go “off-track”, I “derail”, there is a sentence that pops always in my mind, sorting things out. The words are: “You think you have many different problems, but you only have one: your disconnection for Love (from Life, from God, from Source, from the Nature of Existence, whatever you want to call it.)

This happens to us when we are in pain, of course. But in pain — especially in pain — there is labour of love to do. We are called to action. And when I remember this words, I have a choice. Knowing that pain is inevitable but suffering is optional, I can either stay in the self-made hell, in the suffering — whether psychological or physical — or work towards mending the wounds.

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LaGrieta

In their wonderful graphic novel/field journal “The Crack” photographer Carlos Spottorno and journalist Guillermo Abril report the unfolding of Europeʹs migrant crisis from Africa to the Arctic over the course of three years. Their aim is to identify the causes and consequences of Europeʹs identity crisis.

I have interviewed the two reporters for Qantara, a webmagazine promoting cultural exchange, based in Germany. I’m super-excited because of this new collaboration, which allows me to bring back my explorations in foreign realities back to my homeland Europe.

Here is the link to the interview

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IlRediBangkok

A new article of mine in Italian has just been published on the webmagazine Art a Part of Cult(ure). It’s an interview with the three authors of the great graphic novel “Il Re di Bangkok”, Claudio Sopranzetti, Sara Fabbri, Chiara Natalucci, published by ADD Editore.

It was serendipitous to read this work right after my reportage in Thailand, at a time when I’m delving deeper into the graphic novel world.

Here is the link to the interview

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AsiaticaItaloSpinelli

I’m forever passionate about the connections between Europe and Asia through culture. This time, we explore the power of cinematic language across continents with Italo Spinelli, director of Asiatica Film Festival in Rome, Italy, for Culture360.

Here is the link to the interview

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5

This end of the year post has been a tradition for many years, and it’s for me one of the most pleasurable things to write. This one is pretty long, so gear up, or perhaps skip to the section which is of most interest to you.

Looking back at this 2018, I feel bursting with gratitude. I do what I have always wanted to do since I was a child, and I have a huge freedom which I don’t take for granted. For this stage in my life, I’m fully self-actualized, I’m embodying all of my passions. And each one of them leads me to new paths, new learning, new discovering journeys. This unfolding is a beautiful story to tell, and I feel my life is like an artwork. And I can appreciate its dynamism fully, its ups and downs, its clarity and its drama, because I know it’s ultimately all a play. The comedy of life.

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manifestapalermo

Here is an art event where contemporary art don’t lose itself in mere theoretical speculations, but rather tackles important and timely issues. The 12th edition of the Biennale Manifesta called “The Planetary Garden: Cultivating Coexistence” (16 June to 4 November 2018, Palermo, Italy) examines through site-specific artworks the themes of migration and the environmental concerns of our times.

I spoke about it with founder Hedwig Fijen and creative mediator Ippolito Pestellini Laparelli for Culture360, the webmagazine of the Asia-Europe Foundation.

Here is the link to the piece

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lovesharing

Migration is such an important topic for our times. I have recently explored it through an interview with Maria Virginia Siriu from the theater company Theatric, and organizer of “Love Sharing – Festival di teatro e cultura nonviolenta”, in Cagliari, Sardinia. The piece has just been published by the webmagazine Middle East Monitor.

Here is the link to the interview

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museumsrome

I have just been back from Japan a couple of days ago,  and it has been great to find my essay on the state of contemporary art museums in Rome published on Culture360, the webmagazine of the Asia-Europe foundation.

The piece stems from my conversations with Hou Hanru and Giorgio de Finis, and takes into consideration the example of the ex-GNAM, La Galleria Nazionale directed by Cristiana Collu. While in the piece I take a bit of a critical tone, I hope that you can read through the lines my positive feeling for a scene in transformation.

Here is the link to the piece

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