Naima Morelli

Archive
Indonesia

seavenicebiennale2017

Here is my piece for CoBo on the Southeast Asian Pavilions at the Venice Biennale. This piece wasn’t easy to write and I have been quite critical – something I don’t usually like to be. But this Biennale really called for criticism, the way I see it.

Here’s the link to the piece

Read More

SintaTantra

CoBo has just published my interview with British/Indonesian artist Sinta Tantra, who I visited at her studio at the British School in Rome, where she is doing a residency. As always, every interview is a chance to learn something and often times the words of artists resonate powerfully with my own life.

Here is the link to the interview

Read More

edwinjurriens
The magazine of the Asia-Europe Foundation Culture360 has just published my interview with Dutch researcher and lecturer in Indonesian Studies at The University of Melbourne Edwin Jurriëns. Edwin has just published a book with Routledge called “Visual Media in Indonesia”, where he analyses how in Indonesia, in the age of digital communication and global capitalism, people’s mental, social and natural environments are interconnected.

Here is the link to the interview

Read More

Tomtandio
CoBo has just published my interview with Indonesian collector Tom Tandio: “Is life about discovering oneself, or is it more about building oneself? If there is an activity which can respond to the evergreen nature/nurture question, that is art collecting.

In the process of grappling with their own identity through art, the best collectors understand that acquiring art is not simply an individualistic pursuit. It is rather about becoming part of an artistic ecosystem, which they can help nurture. Indonesian collector Tom Tandio exemplifies this attitude, modelling an ethic which makes the entire system grow.”

Here is the link to the interview

Read More

charcoal

I have contributed an essay titled “Rules, imagination, and magic powder” to the catalogue of the Drawing Future exhibition at CushCush Gallery in Bali. My words are in the very good company of texts by John Andrews, Mella Jaarsma and Natalie Sprite.

A few words on CushCush Gallery; this is an alternative platform for contemporary art and design in Denpasar. Suriawati Qiu and Jindee Chua have founded the gallery to share art and design with their local creative community, general public, as well as generate conversations with international artists and creative people.

Within the gallery many initiatives, the Charcoal For Children program is a social project that put together 6 working artists and children in 3 sessions, to create collaborative artworks together. As the name suggests, the yearly program focuses on Charcoal as the medium, to foster creativity amongst children. I have been honoured to have given my small contribution in the form of a write-up about creativity to such an exciting project!

Here’s the pdf version of the essay

Read More

Jimbo

CoBo Social has published my interview with Indonesian artist and member of MES56 Jim Allen Abel, also known as Jimbo. I interviewed him in Singapore during Art Stage 2017 and he shared about his background and art practice.

Here’s the link to the piece

Read More

TimesMaltaElizabethPisani
As I’m running around Singapore collecting interviews, attending vernissages and getting lost in shopping malls, Escape – the Sunday magazine of the Times of Malta – has just published my interview with Elizabeth Pisani author of the travelogue “Indonesia etc.” (the Italian version was published here).

Here is the link for the interview

Read More

ariabajuari

First published article for 2017 – and what better way to kick off the year than an interview with Montreal-based Indonesian artist Ari Bayuaji – for the webmagazine CoBo!

Here’s the link to the interview

Read More

artapartpisani

Little post to say that Art a part of Cult(ure) – the Rome-based art web magazine I have been writing for since 2010 – has just published the Italian version of my interview with the one and only Elizabeth Pisani, badass adventurer and epidemiologist (that’s right!), trawling around Indonesia to write the tome “Indonesia Etc.” The interview happened thanks to the mediation of another wonderful kickass gal, Ilaria Benini from the publishing house ADD Editore – you might want to google her to check the work she has done in Myanmar as well.

Here is the link to the interview 

Also, another set of considerations, since this morning I feel talkative. What would you do in life if you hadn’t any obligation  or responsibility? This is a recurrent topic I have been discussing with my friends and my ninjas lately. In my case, I had no doubt: I would keep doing exactly what I’m doing right now; I believe that this job I have created for myself is perhaps the coolest.

The contemporary art world can be a tricky one. Sometimes it can feel like you are working for something that has no meaning and is quite superficial (this is from a chat with another contemporary art super-villain friend of mine, who is in an existential crisis right now). For me, this feeling disappears when I met people like Elizabeth Pisani, who are of course not about contemporary art, but about the taste for adventure, learning, knowledge.

Read More

montella

EN: Il Ramo D’Oro is a special place in Naples for artistic reflection which is truly grassroots, and for the gathering of an international art community. Upon request of Il Ramo D’Oro’s director, Vincenzo Montella, I have written an essay called “Flow and rigidity in challenging the borders” reflecting on the experience of the series of international shows Oltreconfine. This included Attualità Indonesiane which I co-curated.

The Oltreconfine book – where you can find my essay alongside the ones of authors such as Made Bayak e Judicael Ouango – is now available on Amazon.

Here the English version: Beyond-Borders: Art and Resilience in the Internet Era

ITA: Il Ramo D’Oro è un posto unico a Napoli dove sviluppare riflessioni artistiche genuine e dove coltivare una comunità artistica internazionale. Su richiesta del fondatore del Ramo D’Oro, Vincenzo Montella, ho scritto un breve saggio chiamato “Fludità e rigidità nel mettere in discussione i confini”, il quale riflette sull’esperienza della rassegna internazionale Oltreconfine. Questa ha incluso Attualità Indonesiane che ho co-curato.

Il libro di Oltreconfine, nel quale si trova il mio saggio insieme a quello di altri autori, tra cui Made Bayak e Judicael Ouango, è ora disponibile su Amazon.

Ecco la versione italiana: Oltreconfine: Arte e resilienza nell’era di internet

Qui sotto un estratto dal mio testo:

Read More

indopoppainting


Indo Pop Painting draws influences from comics and graffiti. In this essay for the Hong Kong-based webmagazine CoBo I analyze a style that goes beyond a simple market trend. From the “fathers” of the style, such as Eddie Hara, Heri Dono and Agung Kurniawan, to the “older brothers” Uji ‘Hahan’ Handoko and Eko Nugroho, and the plethora of younger 20-something artists, Indo Pop is here to stay.

Here is the link to the article

 

banner2

Read More

murni

I have just started a new series for the webmagazine CoBo about Indonesian contemporary painters. The first installment is Murni, recently celebrated in the show Merayakan Murni at Ketemu Project Space and Sudakara Art Space in Bali.

Here is the link to the article

 

banner2

Read More