Naima Morelli

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Review

tengcollection

CoBo has published my review of the Teng Collection at Art Stage 2018. I was very happy to write about the first ever showcase of this outstanding collection, and compelled to learn and reflect on the ethos who is driving the collectors.

This piece actually came out last week but I didn’t post it immediately on the blog because in these past few days I have been busy running around Phnom Penh to collect interviews for my current reportage on Cambodian contemporary art. But here you go, you can read it at the link below.

Here is the link to the review

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GeraldLeow

CoBo Social has just published an interview with one of my favorite Singaporean artists, Gerald Leow. We did the interview this past June, at the time he exhibited his latest series “I am Time Grown Old To Destroy the World” at Chan+Hori gallery in Singapore.

Here is the link to the interview

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Beirut

I feel today the MAXXI Museum in Rome is the one contemporary art institution who is really nailing it in the Eternal City. The multifaceted and highly political show “Home Beirut: Sounding the Neighbors” is proof of that. The exhibition focuses on Beirut artists representing city’s development and destiny, and introducing the local artistic scene to a European public.

This show is the third chapter of the “Mediterranean Trilogy” through which the MAXXI has been examining the interaction between the artistic communities of Europe and the Middle East. The aim is prompting the birth of a new trans-Mediterranean culture, critically important for the global landscape of artistic creation.

The show presented 30 artists, architects, filmmakers, musicians, dancers, researchers, activists negotiating between critical reflections of recent history of conflicts, through archiving and re-enacting memories, and prospection of the future, through attempts of urban transformation and global outreaching.

Here is the link to the review

 

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seavenicebiennale2017

Here is my piece for CoBo on the Southeast Asian Pavilions at the Venice Biennale. This piece wasn’t easy to write and I have been quite critical – something I don’t usually like to be. But this Biennale really called for criticism, the way I see it.

Here’s the link to the piece

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artstage2017
D_Railed Magazine has just published my review of Art Stage Singapore 2017. In this piece I engage in a different set of reflection compared to the ones I explored in my previous article for CoBo, where I specifically looked at the decreased participation of foreign galleries to the fair this year. The final observation is the same though: Art Stage, just like many other art fairs all over the world, is becoming more and more region-based.

Here’s the link to the article

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memorandamaddah

Middle East Monitor has just published my article about Syrian artist Randa Maddah, whose work has recently been presented in the exhibition “A Hair Tie” at Gallery One in Ramallah, Palestine.

Here’s the link to the article

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artapartcatilina

Catilina has been my most beloved historical figure of all times since the time of the Liceo. On the other hand the Roman webmagazine Art to part of Culture has always been the place where I felt more at home writing-wise, encouraged to express myself both in terms of ideas and style. The two came together for a review of the play Catilina at Teatro Orione.

Here is the link to the article

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TimesofAzerbaijan
I have been following Azerbaijan’s exploits in the contemporary art world for quite a while now, and it has been interesting to look at the backstory behind their success. The opportunity for doing so was given to me by this great and dramatic show by Azerbaijan artist Faig Ahmed at MACRO, Rome.

The show was food for thought itself – confronted with this melting traditional carpets it was impossible to leave Zygmunt Bauman and Aldous Huxley out of the equation. I have written the story for Escape, the Sunday edition of the Times of Malta.

Here’s the link to the piece

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TimesMaltaFotografia
Times of Malta’s Sunday magazine Escape has published my review on Fotografia, the international photography festival of Rome. It was good fun to write it – and if you are wondering how the selfie mentioned in the article actually looks like, look no further.

Here’s the link to the piece

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sintattica

The Italian magazine Art a Part of Cult(ure) has just published my review of the exhibition “Sintattica”, featuring artists Luigi Battisti, claudioadami e Pasquale Polidori. The show was curated by Francesca Gallo at Museo Hendrik Christian Andersen.

Here is the link to the review

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TimesMaltaGoliaGago
I generally don’t like snarky – you’d rather build something than destroy something, right? At the same time, when I’m in the snarky mood, I go full on. And of course, when that happen, I really enjoy the bravado. Otherwise how would I earn the title of contemporary art super-villain? Like in this piece for the Sunday Times of Malta, for which I love to put a desecrator of contemporary art attitude. You might say, making fun of contemporary art is way too easy, but I can’t help it; sometimes you just walk in an exhibition and you start rubbing your hands!

Here’s the link to the review

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Pinkswing_Park_Agus_Suwage_David_Linggar
“In a constant relating western and eastern art, Naima dissects and offers interesting models that make legible the ‘new’ culture even to those who aren’t introduced to it”

Arts writer and curator Maila Buglioni has written a very interesting review about my book “Arte Contemporanea in Indonesia, un’introduzione” for the webmagazine Artnoise. Check it out here (in Italian).

Picture above: Pinkswing Park, Collaboration work for CP Biennale by Agus Suwage and Davy Linggar, 2006. Courtesy of Tyler Rollins Fine Art.

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