Naima Morelli

Archive
Reportage

stephaniefong
To Stephanie Fong, founder and director of FOST Gallery in Singapore, the job of a gallerist is not just about selling the art, but rather providing an experience. With an uncontainable passion for culture, as well as an eye for the evolving trends worldwide, Stephanie has become a point of reference in the Lion City’s art scene.

I had the pleasure of talking with Stephanie for CoBo Social during my last visit to Singapore a couple of months ago, and I found he combination of strenght and grace – in both her personality and in the way she runs her business – incredibly inspiring:

“Why are you doing this?” She laughed and replied almost immediately: “I think at the core of it it’s what I’m meant to do. Now looking back at my journey, it all made sense, even though I hadn’t really planned it that way. Maybe it has been all about faith.”

Here is the link to the interview

 

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stievselapak

Little by little parts of my Cambodia research/reportage are coming out in the press: here is a piece on the Phnom Penh-based supergroup Stiev Selapak which has just been published on the Singapore-based art magazine Art Republik. Can’t wait to have the physical copy in my hands!

Here is the link to the article

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talk7
What a nice evening at Kon Len Khnhom, the contemporary art space run in Phnom Penh, Cambodia by art manager Meta Moeng! It was great to finally see the space in person after hearing so much about it; this is a traditional Khmer house tucked in a small alley right in the city center, where they held residences, events and do projects with students.

Yesterday night I held a talk talking about my experience researching emerging art scenes, from Indonesia to Singapore, and I discussed with the audience about the features of the Cambodian contemporary art scene and the local art market. The atmosphere was so nice and cozy and elicited reflections; really my jam! Below some pictures from the night.

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konlen
This Saturday 10th February 2018 I’m going to have a talk at the art space in Kon Len Khnhom in Phnom Penh, Cambodia.

For this art talk, I’ll be sharing about my own experience and methodology in researching the emerging art scenes. Meanwhile, I will also present my findings about the Cambodian art scene so far and ask feedback from the audience to analyse together these different aspect of the art scene.

Please drop by if you are in town!

Here is the link to the fb event

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GeraldLeow

CoBo Social has just published an interview with one of my favorite Singaporean artists, Gerald Leow. We did the interview this past June, at the time he exhibited his latest series “I am Time Grown Old To Destroy the World” at Chan+Hori gallery in Singapore.

Here is the link to the interview

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Bureaucracy

CoBo has just published my new piece titled “5  Singaporean artists working with the theme of Bureaucracy”. Researching the Singaporean art system and the artists’ practice, I noticed the emergence of this set of preoccupations with organisation, repetition, boredom, archiving, censorship, procedures, rules – which definitely dismantles the romantic idea of the artist as we conceived it. Bureaucracy is so pervasive in society such as the Singaporean one, that becomes not only a conditio sine qua non for art to be happening, but also a subject in itself to reflect on.  This article features artists Jack Tan, Terry Wee, Zihan Loo, Lim Tzay-Chuen and Lai Yu Tong.

Here is the link to the piece

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audrey_yeo

CoBo has just published my interview with gallerist Audrey Yeo, director of Yeo Workshop in Singapore. I realized the interview a few months ago and it was greatly inspiring to talk with such an important igniter of the Singaporean art scene.

Here is the link to the interview

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EmiEu

For the next installment of the series “Heroines Behind Galleries”, CoBo has just published my interview with Singapore Tyler Print Institute’s (STPI) director Emi Eu. It was fun to write a profile, capturing the impression of the woman behind the institution. The interview is also part of my reportage on Singapore contemporary art, soon to become a book!

Here is the link to the piece

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ArtStage2017

Asian webmagazine and collectors’ platform CoBo has just published my report from Art Stage Singapore 2017 titled “Why Having Less International Galleries at Art Stage Singapore 2017 was Actually a Good Thing”.

As the title suggests, I see the tendency to develop a “glocality” in the art market as generally positive – giving character to art fairs which would otherwise be all lookalikes. The regional features of Art Stage 2017 are far from being a directed by the organizer of Art Stage; it all depended from a series of circumstances that modified the Asian art ecosystem.

I spoke with the present and absent galleries to explain what happened.

Here’s the link to the article

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JeremySharma

Cobo has just published my interview with Singaporean artist Jeremy Sharma, titled: “Artists As The Arbiter of Knowledge in The Information Era”.

We did the interview in Rome, in a cafè near Via di Ripetta, after a bit of walking around that side of the Eternal City, and talked about his residency at the Stelva Foundation, in Desenzano del Garda, and his art practice in general.

Here is the link to the interview

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SgArtistsNature

Hong-Kong based magazine Cobo has just published my new article on the way Singaporean artists work with the topic of nature. This is an ideal second episode of a series on artists and nature which started with this piece on Indonesian artists and nature. In the book I’m currently working on, focused on Singaporean contemporary art, I have an entire chapter out of four dedicated to the dichotomy nature/urban through the eyes of artists, and the specific form it takes in the Lion City.

Here is the link to the article

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AmandaHeng

My interview with the wonderful Singaporean artist Amanda Heng has just been published on the new webmagazine D_Railed.

Amanda Heng’s work has been seminal in the development of Singaporean contemporary art and resonate with art viewers from all walks of life. Along with her production she greatly contributed to the growth of the Southeast Asian scene and the cultural discourse in the region by setting up initiatives and groups.

Interviewing Amanda Heng was a blast. She is a strong, inspiring figure and yet gentle and friendly. In the original hour and a half long recording of the interview we talk about many different topics. In this piece though I have decided to focus mainly on her perspective on Singaporean culture and the local art scene. I thought this was the best solution for someone who isn’t familiar with the context in which the artist operates.

The interview is part of my reportage on Singapore contemporary art, and part of the foundation for a book on the same topic I’m currently working on.

A few words on the magazine; D_Railed has been just founded by colleague and friend Deianira Tolema, a talented writer working between New York and Naples. I greatly admire her determination in realizing everything she put her mind to do and I’m honoured to be part of her team from the start!

Here is the link to the piece

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