Naima Morelli

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VasanSitthiket
You might have guessed it; alongside Cambodia, my current research is expanding towards Thailand. I first had a glimpse of the depth of at the artists from this country in the 2015 exhibition at the Palais de Tokyo in Paris, which looked at Southeast Asia. Then with the Thai focus at the last Art Stage Singapore I learned some more. I continued expanding my understanding thanks to some editing work of interviews to Thai curators and collectors. And now I’m glad to say I’m hooked!

Thanks to the wonderful curator Loredana Pazzini-Paracciani, who is a contemporary Thai art expert, I had the chance to meet Tawan Wattuya and Vasan Sitthiket in Rome. In this regards, it has been super-interesting to interview them and compare the work and perspectives of these two artists from different generations.

Here is my interview with Vasan for your friendly neighborhood magazine CoBo. I walked away from this chat with so many insights, and hopefully I managed to convey some of those to you dear reader!

Here is the link to the interview

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TawanWattuya

My interview with Thai artist Tawan Wattuya has just been published on the webmagazine CoBo. I met Tawan in Rome, on his way back from Taranto, South of Italy, where he had participated in a three-man show with Vasan Sitthiket and Tanasade Silaaphiwon.

Here is the link to the interview

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KhiangHei
Sometimes when I start an art exploration in a new country of Southeast Asia, I can be lucky enough to meet a figure which becomes a guide of sorts. This person usually helps me entangle the key mechanisms of the art system, and understand the psychology of local artists.

In Cambodia, this figure was Khiang Hei. In this interview published on CoBo, we tackled the most pressing issues together in the emerging Cambodian art scene. With an understanding of the local hardships, as well as a very pragmatic spirit, Khiang suggested possible solutions, some of which he has implemented himself over the years.

The piece is part of my reportage on Cambodian contemporary art.

Here is the link to the interview

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SophalNeak
In the third installment of CoBo’s series on Cambodian photographers, I spoke with artist Sophal Neak, a rising talent in the Cambodian scene. This piece is part of my reportage on Cambodian contemporary art.

Here is the link to the interview

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lovesharing

Migration is such an important topic for our times. I have recently explored it through an interview with Maria Virginia Siriu from the theater company Theatric, and organizer of “Love Sharing – Festival di teatro e cultura nonviolenta”, in Cagliari, Sardinia. The piece has just been published by the webmagazine Middle East Monitor.

Here is the link to the interview

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SopheapPich

At the beginning of the year I visited Cambodian artist Sopheap Pich in his Phnom Penh studio. He explained his view of contemporary art in Cambodia and what young artists need in order to grow the local art scene. The article is part of my reportage on Cambodian contemporary art.

Here is the link to the interview

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KanithaTith
Another interview with a super-interesting Khmer artist has been published on CoBo, as part of my reportage on contemporary art in Cambodia. For this piece I spoke with Kanitha Tith, one of the young, emerging voices in the artistic landscape, who is gaining more and more recognition internationally.

In the article she tell about her creative process and what it means to be a multi-passionate creative in Phnom Penh.

Here is the link to the interview

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VannNath1

I’m honored and humbled to have had the chance of writing about the work of an extraordinary artist and human being such as Cambodian painter Vann Nath. The piece is out in the new issue of Art Republik and is part of the Cambodia reportage I realized in February. This is the fifth piece about Cambodian art I did for the magazine, and I’m so happy to have these beautiful pages as an outlet for the research.

In the article, which I wrote in conjunction of the publication in Italy of Vann Nath’s memoir by ADD Editore “Il pittore dei khmer rossi”, I traced the legacy of this artist on Cambodian contemporary art, and how his example and practice influenced the new generations of artists in the Kingdom.

Here is the link to the pdf version of the piece

 

VannNath2

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KartikaAffandi

Culture360, the webmagazine of the Asia-Europe foundation, has published my interview with videomaker Christopher Basile, who has recently realized a documentary and the art of Kartika Affandi called “9 Ways of Seeing”.

The film tells the story of this visionary artist, daughter of Indonesia‘s most celebrated painter, and a groundbreaking personality and painter in her own right.

Here is the link to the interview

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SreyBandol
I can’t be more happy and grateful when I see a new article of mine on the homepage of CoBo Social. It still gives me the same buzz of 10 years ago, when I was just starting out writing for online magazines.

This interview with Srey Bandol, co-founder of the art school Phare Ponleu Selapak in Battambang, Cambodia, is particularly rewarding because it is a part of the reportage on Cambodian contemporary art I did at the beginning of the year. I really hope that through these articles CoBo and I will be able to give a more complete picture of the art scene in this fascinating country.

Here is the link to the interview

 

 

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museumsrome

I have just been back from Japan a couple of days ago,  and it has been great to find my essay on the state of contemporary art museums in Rome published on Culture360, the webmagazine of the Asia-Europe foundation.

The piece stems from my conversations with Hou Hanru and Giorgio de Finis, and takes into consideration the example of the ex-GNAM, La Galleria Nazionale directed by Cristiana Collu. While in the piece I take a bit of a critical tone, I hope that you can read through the lines my positive feeling for a scene in transformation.

Here is the link to the piece

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loredanaMAAIAM

CoBo Social has just published my new article where I discuss the show DIASPORA Exit, Exile, Exodus at MAIIAM in Chiang Mai with the curator Loredana Pazzini-Paracciani, as well as the importance of tackling geopolitical change in Southeast Asia from a variety of angles.

Here is the link to the piece

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