Naima Morelli

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Among the different research I’m currently conducting around different themes and places in contemporary art, one of the interest trail in Italian colonialism in North Africa.

I have written some pieces about Italian colonialism in Libya, and now I looked at Ethiopia and Eritrea with Eritrean-born artist Dawit L. Petros.

He has focused for over a decade on a critical re-reading of colonialism. His artworks aim for an introspective and textured analysis of the historical factors that determined migrations, and his practice always includes extensive research on the field.

Here is the link to the piece

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Middle East Monitor has just published my interview with Lena Merhej, Karen Keyrouz and Barrack Rima, members of the Lebanese comics collective Samandal

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It’s always a privilege to be able to interview cultural figures I have been admiring for a long time. Since my first inception to Singapore, I wowed at the green architecture of the firm WOHA.

Thanks to a virtual show at Gajah Gallery, I have found out WOHA’s founder Richard Hassell is also an art lover and collector. He curated the show Complex Humour highlighting works by I GAK Murniasih and Yunizar.

Both artists present humourous works overlaid with much more difficult themes, as well as tribal elements.

Here is the link to the interview

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My interview with illustrator and comic book artist Andrea Serio has just been published on the Italian webmagazine Art a Part of Culture.

I have been admiring this artist for many years, and is no exaggeration to say that his art influenced my way of looking at the landscape.

Here is the link to the interview

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The webmagazine Global Comment has just published my interview with Silvia Moresi and Claudia Comito, authors and curators of the book “Arabpop”, a deep dive into the cultural manifestations, shades and consequences of the Arab Springs.

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Whirling on site at Beit Beirut [Zena el Khalil]

In my research on contemporary art I started to focus a lot on the spiritual values that artists carry with them and let come through their artworks and practice – despite the many hardships they might be facing.

In this sense, the life experience of Zena El-Khalil, a wonderful artist I had the pleasure to interview for Middle East Monitor, is emblematic. We talk specifically of her way of coping with the terrible explosion that has devastated Beirut, and the way art and her spiritual practice have helped her to look for the spring to come.

Kicking off the new season of articles with this interview makes me really proud, warms my heart and encourages me to look at the struggles in life with a different perspective. Hope it will do the same for you:

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The webmagazine Al-Monitor has just published my article on the exhibition “Art in the Age of Anxiety” at the Sharjah Art Foundation.

The exhibition (now postponed) looked at online technology and communications feeding existential angst. It seems more relevant than ever today amid the global fears due to the coronavirus outbreak and the extensive information available.

Here is the link to the article

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From dirty riverbanks to the shores of Venice, Yogyakarta-based artist Handiwirman Saputra tells us the story of our objects.

My interview to Handiwirman has just been published on CoBo Social.

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The exhibition at Palestinian Museum “Glimmer of a Grove Beyond” aims to outline the links between landscape representations and historical circumstances, through the medium of political posters.

Such posters came to prominence in Palestine between the mid-1960s and late-1980s as a means of motivating and mobilising political support in the national movement and revolution, and its armed struggle.

Here is the link to the article

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The webmagazine Middle East Monitor has just published my interview with Ethiopian artist Aida Muluneh, an artist whose work I deeply admire.

Born in Ethiopia in 1974, Aïda Muluneh left the country at a young age. Her global upbringing helped her to develop a multiplicity of viewpoints. Inspired by Ethiopia, she transcends it, making her subjects universal metaphors.

Here is the link to the piece

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The Australian webmagazine Artshub has just published my new piece titled “Why Singapore is the new gateway for the Southeast Asian art scene”

I had a steady collaboration with this amazing platform in the past, which started when I was actually living in Melbourne and carried on throughout the different changes of base.

It was interesting to connect my three years of research on the Singapore contemporary art scene with what I could appreciate last month during the Singapore Art Week.

Of course, my piece is very positive because it’s no mystery that I love Singapore and I have a lot of faith in the way things are developing there.

Here is the link to the article

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I had the privilege to write the curatorial essay for the catalog of Neapolitan artist Sergio Fermariello’s new show “Warriors” opening tomorrow, 7 February, at Richard Koh Fine Art in Singapore. The piece is titled: “Hitting God’s Head with a Hammer Until It Breaks” – a poignant metaphor courtesy of genius Fermariello himself.

As a side note, when I first started working with the art scene in Southeast Asia, back in 2012, I could only hope more and more ties would create between my native Italy and that part of the world.

It has been incredible to see how these exchanges unfolded, and even more beautiful to see Italian artists experiencing the Southeast Asian art world, that has been so open and kind to me.

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